In 878 the East Frankish king Carloman of Bavaria dedicated the Treffen estates around Lake Ossiach to the Benedictine monastery of Ötting. In the late 10th century the lands passed to the Bishops of Passau and later to Emperor Henry II, who conferred them to a certain Count Ozi, affiliated with the Styrian Otakar dynasty and father of Patriarch Poppo of Aquileia.
A church probably already existed at Ossiach, when Count Ozi about 1024 established the Benedictine abbey, the first in the medieval Duchy of Carinthia. The first monks probably descended from Niederaltaich Abbey in Bavaria. Ozi's son Poppo succeeded in removing the proprietary monastery from the influence of the Salzburg archbishops and to affiliate it with the Patriarchate of Aquileia, confirmed by Emperor Conrad II in 1028. Upon the extinction of the Styrian Otakars in 1192, the Vogtei of Ossiach according to the Georgenberg Pact passed to the Austrian House of Babenberg. In 1282 it finally fell to the Habsburgs.
The Romanesque church itself was first mentioned in 1215, built on the groundplan of a basilica, with the tower above the crossing. Restored in a Late Gothic style after a fire in 1484, the abbey, a member of the Benedictine Salzburg Congregation from 1641, was extensively altered in the Baroque period, including stucco decoration of the Wessobrunner School.
Ossiach Abbey was dissolved by order of Emperor Joseph II in 1783, after which the buildings were used as a barracks. In 1816 the premises were largely demolished. Between 1872 and 1915 the few remaining buildings were again used as a barracks and as stabling. Since 1995 the premises have been owned by the administration of Carinthia. The church since the dissolution has served the local parish. Two stained glass windows were donated by Karl May in 1905, though according to recent research the popular writer had probably never visited Ossiach.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.