The Imperial family once used Halbturn Palace, Burgenland’s most important Baroque building, as a hunting lodge and summer palace. The palace, in northern Burgenland, and its splendid parklands, is regarded as one of Burgenland’s most esteemed historic attractions.
Halbturn palace was built in 1711 during the reign of Emperor Charles VI by Lucas von Hildebrandt, one of the most important Austrian figures in late baroque architecture. It has gone through good times and bad. Its heyday may well have been the epoch shown in an oil painting from the middle of the 18th century. During the first Turkish siege the imperial stud had been destroyed. The Halbturn estate was mortgaged for several years and passed back into imperial-royal ownership under Emperor Charles VI. After the death of Emperor Charles VI his daughter, Maria Theresia, succeeded to the throne on account of the Pragmatic Sanction of 1740.
In 1765 Maria Theresia acquired Halbturn Palace, part of the estate of Hungarian Altenburg at the time, from the Hungarian crown. She gave it as private property to her favourite daughter, Archduchess Marie Christine, as a present for her wedding to Duke Albert-Casimir von Sachsen-Teschen. For this occasion the baroque artist Anton Maulbertsch was also commissioned to paint the ceiling fresco, “Triumph of Light”.
Halbturn Palace offers a varied programme of art, culture, wine and gourmet food all year round. Fascinating annual exhibitions, high quality concert series, various summer events and the famous Pannonian Christmas Market in the historical setting of the palace draw thousands of visitors and tourists from home and abroad every year.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.