The Ducal Palace of Nancy was built in the 15th century for René II, Duke of Lorraine. In the 18th century the palace was extended by Baroque architects. Under the rule of Leopold, Duke of Lorraine parts of the building were pulled down, in preparation of greater projects, he intended. After the House of Habsburg had ceded Lorraine to French control in exchange for Tuscany, the ducal palace in Nancy became the home of Stanislaw Leszczynski. After Stanislaw's death, his Duchy was inherited by his son-in-law, King Louis XV of France and incorporated in his dominions.
The palace used to have St George's Collegiate Church, which was the house chapel and also the burial place of members of the house of Lorraine. The chapel does not exist anymore. The functions of the house chapel was then given to the Church of Saint-François-des-Cordeliers, which is located next to the palace.
The first level of the structure contains reception and dining rooms used by the Dukes, known as the Galerie des Cerfs. On the ground floor, there is an open-vaulted gallery overlooking the garden, while a portal marks the Grande Rue entrance. Also built in Gothic style, its décor suggests that it is one of the earliest examples of work from the Renaissance period in nowaday's eastern France.
In 1848 the palace was converted to house the Musée Lorrain. The museum's collections include artefacts from the Gallo-Roman and Merovingian civilisations of the east of France, religious and funeral sculptures and stained-glass windows from the Medieval period, as well as armaments from the 14th and 15th centuries. The museum also includes a collection of Renaissance art including works by Ligier Richier and sculptures relating to the history of the Palace itself, as well as of major works by Georges de La Tour and Jacques Callot, and a rare collection of Jewish ritual objects.References:
Fisherman's Bastion is a terrace in neo-Gothic and neo-Romanesque style situated on the Buda bank of the Danube, on the Castle hill in Budapest, around Matthias Church. It was designed and built between 1895 and 1902 on the plans of Frigyes Schulek. Construction of the bastion destabilised the foundations of the neighbouring 13th century Dominican Church which had to be pulled down. Between 1947–48, the son of Frigyes Schulek, János Schulek, conducted the other restoration project after its near destruction during World War II.
From the towers and the terrace a panoramic view exists of Danube, Margaret Island, Pest to the east and the Gellért Hill.
Its seven towers represent the seven Magyar tribes that settled in the Carpathian Basin in 896.
The Bastion takes its name from the guild of fishermen that was responsible for defending this stretch of the city walls in the Middle Ages. It is a viewing terrace, with many stairs and walking paths.
A bronze statue of Stephen I of Hungary mounted on a horse, erected in 1906, can be seen between the Bastion and the Matthias Church. The pedestal was made by Alajos Stróbl, based on the plans of Frigyes Schulek, in Neo-Romanesque style, with episodes illustrating the King's life.