The Circus Maximus was a chariot racetrack in Rome first constructed in the 6th century BCE. The Circus was also used for other public events such as the Roman Games and gladiator fights and was last used for chariot races in the 6th century CE. It was partially excavated in the 20th century and then remodelled but it continues today as one of the modern city's most important public spaces, hosting huge crowds at music concerts and rallies.
The Circus Maximus, located in the valley between the Palatine and Aventine hills, is the oldest and largest public space in Rome. Its principal function was as a chariot racetrack and host of the Roman Games (Ludi Romani) which honoured Jupiter. These were the oldest games in the city and were held every September with 15 days of chariot races and military processions. In addition, Rome had many other games and up to 20 of these had one day or more at the Circus Maximus. Other events hosted at the site included wild animal hunts, public executions and gladiator fights, some of which were exotically spectacular in the extreme, such as when Pompey organised a contest between a group of barbarian gladiators and 20 elephants.
At its largest during the 1st century CE following its rebuilding after the fire of 64 CE, the Circus had a capacity for 250,000 spectators seated on banks 30 m wide and 28 m high. Seats were in concrete and stone in the lower two tiers and wood for the rest. The seats at the closed curved end date from the early 1st century CE. The outside of the circus presented an impressive front of arcades in which shops would have served the needs of the spectators. The Roman architectural historian Vitruvius also describes a temple of Ceres in the Circus and that it was decorated with terracotta statues or gilt bronze.
The track, originally covered in sand, measured 540 x 80 m and had 12 starting gates for chariots arranged in an arc at the open end of the track. A decorated barrier ran down the centre of the track so that chariots ran in a circuit around conical turning posts placed at each end. The spina also had two obelisks added over the centuries, one in the centre and one at the end. Here also were the lap markers - eggs and dolphins - which were turned to mark the completion of each of the seven circuits of a typical race.
The last official chariot race at the Circus Maximus was in 549 CE and was held by Totila, the Ostrogoth king. The site was then largely abandoned, although, the Frangipanni did fortify the site in 1144. The first excavations were carried out under Pope Sixtus V in 1587 and the two obelisks which had originally stood as part of the spina were recovered.
The site was used for industry and even a gasworks in the 19th centur but in the 1930s the area was cleared and converted into a park made to resemble the original form of the Circus. Original seats were revealed, as were the starting gates and the spina. However, the latter two were re-covered and now lie some 9 m under the present ground level. The curved seat end continues to be excavated today whilst the main part of the circus is still used for large public events such as concerts and rallies.References:
St. Stephen"s Basilica is a Roman Catholic basilica named in honour of Stephen, the first King of Hungary (c. 975–1038), whose supposed right hand is housed in the reliquary. It was the sixth largest church building in Hungary before 1920. Today, it is the third largest church building in present-day Hungary.
The basilica was completed in 1905 after 54 years of construction, according to the plans of Miklós Ybl, and was completed by József Kauser. Much of this delay can be attributed to the collapse of the dome in 1868 which required complete demolition of the completed works and rebuilding from the ground up.
The architectural style is Neo-Classical; it has a Greek cross ground plan. The façade is anchored by two large bell towers. In the southern tower is Hungary"s biggest bell, weighing over 9 tonnes. Its predecessor had a weight of almost 8 tonnes, but it was used for military purposes during World War II. Visitors may access the dome by elevators or by climbing 364 stairs for a 360° view overlooking Budapest.
At first, the building was supposed to be named after Saint Leopold, the patron saint of Austria, but the plan was changed in the very last minute, so it became St. Stephen"s Basilica.
The Saint Stephen Basilica has played an active role in the musical community since its consecration in 1905. The head organists of the church have always been very highly regarded musicians. In the past century the Basilica has been home to choral music, classical music as well as contemporary musical performances. The Basilica choir performs often in different parts of Europe as well as at home. In the summer months they perform every Sunday. During these months you can see performances from many distinguished Hungarian and foreign organ players alike.