Documented for the first time in the 13th century the Tratzberg castle was used as former border stronghold against the Bavarians and as Emperor Maximilian’s I hunting lodge. In the late 15th century the former fortress was destroyed by fire. The Emperor did not rebuild Tratzberg but exchanged the ruin for a castle of the Taenzels, wealthy owners of a silver mine. They had built the first late Gothic part of today’s Castle Tratzberg in 1500, in a particularly magnificent way, with artful ornaments made of marble, wood and iron. In 1554, Georg Knight of Ilsung, a wealthy merchant from Augsburg, acquired the castle, expanded and changed Tratzberg according to the spirit of the Renaissance age. Proof of those changes is the splendidly painted courtyard and exquisite Renaissance parlours. In 1590 Tratzberg came into the possession of the Fuggers, a well-known and wealthy family of merchants, who expanded the castle even further. Most of the now conserved inventory is from this time.
After several changes of owners there was a time when Tratzberg was uninhabited for 150 years. When Franz Count Enzenberg married Ottilie Countess Tannenberg in 1847, the rather neglected castle came into the possession of the Enzenberg family, and it has stayed their homestead since then. Thanks to the family’s dedication and efforts the 6800 sqm castle with its 5000 sqm shingle roof became a gem of a 16th century Tyrolean castle again. It is now one of the most important cultural monuments of the country and open to the public.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.