Documented for the first time in the 13th century the Tratzberg castle was used as former border stronghold against the Bavarians and as Emperor Maximilian’s I hunting lodge. In the late 15th century the former fortress was destroyed by fire. The Emperor did not rebuild Tratzberg but exchanged the ruin for a castle of the Taenzels, wealthy owners of a silver mine. They had built the first late Gothic part of today’s Castle Tratzberg in 1500, in a particularly magnificent way, with artful ornaments made of marble, wood and iron. In 1554, Georg Knight of Ilsung, a wealthy merchant from Augsburg, acquired the castle, expanded and changed Tratzberg according to the spirit of the Renaissance age. Proof of those changes is the splendidly painted courtyard and exquisite Renaissance parlours. In 1590 Tratzberg came into the possession of the Fuggers, a well-known and wealthy family of merchants, who expanded the castle even further. Most of the now conserved inventory is from this time.
After several changes of owners there was a time when Tratzberg was uninhabited for 150 years. When Franz Count Enzenberg married Ottilie Countess Tannenberg in 1847, the rather neglected castle came into the possession of the Enzenberg family, and it has stayed their homestead since then. Thanks to the family’s dedication and efforts the 6800 sqm castle with its 5000 sqm shingle roof became a gem of a 16th century Tyrolean castle again. It is now one of the most important cultural monuments of the country and open to the public.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.