Herzogenburg is an Augustinian monastery founded in 1112 by Ulrich I, Bishop of Passau, at St. Georgen an der Traisen. In 1244 because of frequent flooding it was moved up-river towards Herzogenburg. From 1714 the buildings were refurbished in the Baroque style by Jakob Prandtauer, Johann Bernhard Fischer von Erlach and Josef Munggenast. The monastery was able to survive the dissolutions enforced by Emperor Joseph II in the late 18th century. Until 1783 the monastery was in the Diocese of Passau, afterwards in the Diocese of St. Pölten.
The monastery church was established in about 1014 by Emperor Henry II and is dedicated to Saint Stephen the Protomartyr (after the patron of Passau Cathedral). In 1112 bishop Ulrich I gave the benefice of Herzogenburg to his newly founded monastery at St. Georgen, which moved to Herzogenburg in 1244.
There are few remains of the Gothic church (the portal and the second storey of the tower). The architect of the present church building was Franz Munggenast. The rebuilt church was dedicated on 2 October 1785 and was the last significant Baroque church built in Austria.
The emphasis of the collection is on late Gothic works such as panel paintings, sculptures and stained glass windows. The great banqueting hall, the treasury and the monastic library, as well as the coin cabinet, underline the art-historical importance of the priory in Lower Austria. The Baroque picture gallery is also notable, and does not only contain religious works. A particular curiosity is a well-preserved Roman helmet, dating from about 150 A.D., which was found in a gravel pit in the vicinity.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.