Heiligenkreuz Abbey is the oldest continuously occupied Cistercian monastery in the world. It was founded in 1133 by Margrave St. Leopold III of Austria, at the request of his son Otto, soon to be abbot of the Cistercian monastery of Morimond in Burgundy and afterwards Bishop of Freising. Its first twelve monks together with their abbot, Gottschalk, came from Morimond at the request of Leopold III. They called their abbey Heiligenkreuz (Holy Cross) as a sign of their devotion to redemption by the Cross.
On 31 May 1188 Leopold V of Austria presented the abbey with a relic of the True Cross, which is still to be seen and since 1983 is exhibited in the chapel of the Holy Cross. This relic was a present from Baldwin IV of Jerusalem, King of Jerusalem to duke Leopold V in 1182.
Heiligenkreuz was richly endowed by the founder's family, the Babenberg dynasty, and was active in the foundation of many daughter-houses.
During the 15th and 16th centuries the abbey was often endangered by epidemics, floods, and fires. It suffered severely during the Turkish wars of 1529 and 1683. In the latter, the Turkish hordes burnt down much of the abbey precinct, which was rebuilt on a larger scale in the Baroque style under Abbot Klemens Schäfer.
Heiligenkreuz abbots were often noted for their piety and learning. In 1734 the Abbey of St. Gotthard in Hungary was ceded to Heiligenkreuz by Emperor Charles VI. In the late 1800s, it was united with the Hungarian Zirc Abbey. The monastery of Neukloster at Wiener-Neustadt was joined to Heiligenkreuz in 1881.
Heiligenkreuz was spared dissolution under Emperor Joseph II. Although the National Socialists planned its dissolution in the Third Reich, this plan was not carried out. Abbot Karl Braunstorfer of Heiligenkreuz was a Council Father at the Second Vatican Council.
The abbey has been an important Austrian centre for music for more than 800 years. Many manuscripts have been found at this monastery, most notably those of Alberich Mazak (1609-1661).
Entrance to the abbey is through a large inner court in the centre of which stands a Baroque Holy Trinity Column, designed by Giovanni Giuliani and completed in 1739.
The façade, as in most Cistercian churches, shows three simple windows as a symbol for the Trinity. Typically Cistercian, the church originally lacked a bell-tower, but one was added during the Baroque era on the north side of the church.
The abbey church of Heiligenkreuz combines two styles of architecture. The façade, naves and the transept (dedicated 1187) are Romanesque, while the choir (13th century) is Gothic. The austere nave is a rare, and famous, example of Romanesque architecture in Austria. The 13th century window paintings in the choir are some of the most beautiful remnants of medieval art.
The chapter house in the cloisters contains the graves of thirteen members of the House of Babenberg. The remains of Blessed Otto of Freising are kept under the altar of the Blessed Sacrament at the east end of the presbytery.
Heiligenkreuz is now one of the largest faculties for the education of priests in the German-speaking world. Presently, over 90 monks belong to the monastic community, the focus of which is the liturgy and Gregorian chant in Latin.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.