Millstatt Abbey, established by Benedictine monks about 1070, is ranked among the most important Romanesque buildings in the state of Carinthia. The abbey prospered during its early years, enjoying special papal protection, again confirmed by Pope Alexander III in an 1177 deed; it was however never officially exempt and remained under the overlordship of the Archbishops of Salzburg. The premises included an adjacent nunnery and a well-known scriptorium, where the Benedictine monks left numerous manuscripts, though the most famous Middle High German Millstatt Manuscript probably did not originate here. The abbey even included a nunnery, which was dissolved in the 15th century. In 1245 the abbot of Millstatt even received the pontifical vestments from the Salzburg Archbishop.
At the same time however, the long decay of the Benedictine monastery began, enhanced through the Great Interregnum in the Holy Roman Empire after the ban of the last Hohenstaufen Emperor Frederick II and the struggles of the Meinhardiner with the rising Habsburgs, who finally were vested with Carinthia upon the death of Duke Henry VI in 1335.
At this time the monastic community comprised only about ten monks; Emperor Frederick found the morals degenerated, the buildings decayed and the abbot inept. He travelled to Rome and on 1 January 1469 reached a papal bull by Pope Paul II, whereby he established the military order of the Knights of Saint George in order to fight the invading troops of the Ottoman Empire. Against the protest by the Salzburg Archbishop, the order was vested with the buildings and assets of Millstatt Abbey, while the Benedictine monastery was disestablished with the handover ceremony of May 14.
Millstatt was heavily devastated by the Turks on their 1478 campaign, followed by the Hungarian troops of Emperor Frederick's long-time rival Matthias Corvinus in 1487.
In 1598 Archduke Ferdinand II of Inner Austria vested the Society of Jesus at Graz with Millstatt. In the course of the Counter-Reformation, the Jesuits built up a college at the Styrian capital (the present-day University of Graz), that was to be financed with the income of the Millstatt estates. The monks soon became disliked by the local population for their stern measures to lead the subjects back to the Catholic confession and especially for their unyielding enforcement of public charges. In 1737 the displeasure culminated in open revolt, when numerous peasants ganged up and stormed the monastery. Remote valleys remained centres of Crypto-protestantism.
The rule of the Jesuits came to a sudden end, when the order was suppressed by Pope Clement XIV in 1773. The monks had to leave Millstatt and their estates passed to the public administration of the Habsburg Monarchy.
The monastery building, now parish church of Christ the Savior and All Saints, was erected in the second quarter of the 12th century. It replaced an earlier church from the days of the Carolingian dynasty, of which some cut stone slabs remained in secondary utilization. The westwork with the characteristic twin steeples was attached between 1166 and 1177, the Baroque onion domes about 1670. Underneath the towers the entrance hall has a Romanesque rib vault and a fresco from 1428 showing the Passion of Christ.
Seven arches form the Romanesque portal from about 1170 with a manifold figurative decoration. The nave itself is a Romanesque basilica, while on several piers are frescoes from about 1430 and the Gothic apse as well as the lierne vault with 149 coats of arms date from 1516. The Baroque high altar was manufactured under the Jesuits in 1648, put on the wall to the right is now a large fresco of the Last Judgement from about 1515, which had to be removed from its original place on the outside wall of the westwork. Two chapels at the north and at the south side with the tombstones of the first two Grand Masters of the order of St. George were added between 1490 and 1505.
In the Romanesque cloister south of the church the capitals of some columns date back to the 12th century. It was furnished with a Late Gothic groin vault and frescoes of the Madonna about 1500. The Renaissance monastery buildings with their arcades are situated to the west and the south of the courtyard. From the abbey leads a Way of the Cross up to the Baroque chapel of Calvary hill, a heritage of the Jesuits as well as, in the east of the town, the High Cross monument from the 18th century.
Since 1977 the church is a property of the local parish of the Gurk diocese, while all other buildings of the former abbey belong to the Austrian state and are administrated by the Austrian State Forestry Commission.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.