The easternmost peaks of the Alps have been the natural border between the Latin, German and Slav worlds since time immemorial. Today, in a time of peace, they still speak the languages of these peoples and their valleys are places of friendship and cooperation.
Attracting pilgrims from three lands, the shrine of Monte Lussari, in the northeastern corner of Italy, is truly European and a symbol of this peaceful coexistence. According to ancient folklore, the sanctuary has its origins in 1360 following a series of miraculous events: a shepherd found sheep from his flock kneeling around a bush. With amazement, he realised that a statuette of the Virgin and Child was at the centre of the bush. The shepherd gave it to the priest of Camporosso, but the following morning, the statue was found on Lussari with the kneeling sheep surrounding it again. The event repeated itself a third time. Having been informed, the Patriarch of Aquileia ordered that a chapel be built on the spot.
There is no trace left of the original chapel; the current building is the result of the restoration and extension of a 16th Century building. The sanctuary is accessible by foot via the picturesque Sentiero del Pellegrino (Pilgrim’s Path) that winds through the forest of Tarvisio, or with the cable car from Camporosso.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.