Sommeregg is a medieval castle near Seeboden situated in the foothills of the Nock Mountains. The castle was probably erected in the 12th century. The Lords of Sommeregg then served as ministeriales of Count Otto II of Ortenburg, who ruled over extended estates in Upper Carinthia, rivalling with the House of Gorizia and the Salzburg archbishops.
In the 14th century, the Lords of Sommeregg achieved the knightly status of Ortenburg burgraves and castellans with comprehensive administrative and military responsibilities in the lordship of the manor. When the Counts of Ortenburg became extinct in 1418, their possessions passed to the Counts of Celje in Carniola, who left the administration of the remote Upper Carinthian estates to local stadtholders. In 1442 the Styrian noble Andreas von Graben by marriage inherited the Sommeregg burgraviate. His rights were acknowledged by Count Frederick II of Celje and the castle became a residence of the House of Graben.
The dynasty maintained the title of Sommeregg burgraves, even when the last Celje count Ulrich II was murdered in 1456. After a long dispute with Count John II of Gorizia, the former Ortenburg possessions fell to the Habsburg emperor Frederick III, who confirmed the feudal rights of the Graben family. Andreas von Graben was succeeded by his son Virgil in 1463, however, in 1487 the castle was occupied and devastated by Hungarian forces under King Matthias Corvinus on his campaign against the Austrian Habsburgs. Afterwards Virgil von Graben had the fortress rebuilt in its current appearance.
Through Virgil's niece and heiress Rosina (d. 1534), Sommeregg passed to the Bavarian Lords of Rain. In 1550 it was purchased by the Carinthian noble Christoph Khevenhüller, whose descendants held the castle until 1628. The Sommeregg manor was dissolved upon the Revolution of 1848.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.