The Apostolic Palace is the official residence of the Pope. The building contains the Papal Apartments, various offices of the Catholic Church and the Holy See, private and public chapels, Vatican Museums, and the Vatican Library, including the Sistine Chapel, Raphael Rooms, and Borgia Apartment. The modern tourist can see these last and other parts of the palace, but other parts, such as the Sala Regia and Cappella Paolina, are closed to tourists.
In the fifth century, Pope Symmachus built a papal palace close to the Old St. Peter's Basilica which served an alternative residence to the Lateran Palace. The construction of a second fortified palace was sponsored by Pope Eugene III and extensively modified under Pope Innocent III in the twelfth century.
Upon returning to Rome in 1377 after the interlude of the Avignon Papacy, which saw Rome subject to civil unrest and the abandonment of several Christian monuments, the popes chose to reside first at Basilica di Santa Maria in Trastevere and then at Basilica di Santa Maria Maggiore. The Vatican Palace had fallen into disrepair from lack of upkeep and the Lateran Palace underwent two destructive fires, in 1307 and 1361, which did irreparable harm. In 1447, Pope Nicholas V razed the ancient fortified palace of Eugene III to erect a new building, the current Apostolic Palace.
In the 15th century, the Palace was placed under the authority of a prefect. This position of Apostolic Prefect lasted from the 15th century till the 1800s, when the Papal States fell into economic difficulties. In 1884, when this post was reviewed in light of saving money, Pope Leo XIII created a committee to administer the palace.
Construction of the Papal Palace at the Vatican in Vatican City, took place mainly between 1471 and 1605. The major additions and decorations of the palace are the work of the following popes for 150 years. Construction of the current version of the palace began on 30 April 1589 under Pope Sixtus V and its various intrinsic parts were completed by later successors, Pope Urban VII, Pope Innocent XI and Pope Clement VIII. In the 20th century, Pope Pius XI built a monumental art gallery and museum entrance.
Perhaps the best known of the Palace chapels is the Sistine Chapel named in honor of Sixtus IV. It is famous for its decoration that was frescoed throughout by Renaissance artists including Michelangelo, Sandro Botticelli, Pietro Perugino, Pinturicchio, Domenico Ghirlandaio, and others.
One of the primary functions of the chapel is as a venue for the election of each successive Pope in a conclave of the College of Cardinals. In this closed-door election, the cardinals choose a successor to the first pope, St. Peter, who has traditionally set up residence within the Apostolic Palace.
This suite of rooms is famous for its frescos by a large team of artists working under Raphael. They were originally intended as a suite of apartments for Pope Julius II. He commissioned Raphael, then a relatively young artist from Urbino, and his studio in 1508 or 1509 to redecorate the existing interiors of the rooms entirely. It was possibly Julius' intent to outshine the apartments of his predecessor (and rival) Pope Alexander VI, as the Stanze are directly above Alexander's Borgia Apartments. They are on the third floor, overlooking the south side of the Belvedere Courtyard.
The Borgia Apartments is a suite of rooms in the Palace adapted for personal use by Pope Alexander VI (Rodrígo de Borgia). He commissioned the Italian painter Pinturicchio to lavishly decorate the apartments with frescoes.
The paintings and frescoes, which were executed between 1492 and 1494, drew on a complex iconographic program that used themes from medieval encyclopedias, adding an eschatological layer of meaning and celebrating the supposedly divine origins of the Borgias.
The Clementine Hall was established in the 16th century by Pope Clement VIII in honor of Pope Clement I, the third pope. Like other chapels and apartments in the Palace, the hall is notable for its large collection of frescos and other art.References:
The Moszna Castle is one of the best known monuments in the western part of Upper Silesia. The history of this building begins in the 17th century, although much older cellars were found in the gardens during excavations carried out at the beginning of the 20th century. Some of the investigators, including H. Barthel, claimed that those cellars could have been remnants of a presumed Templar castle, but their theory has never been proved. After World War II, further excavations discovered a medieval palisade.
The central part of the castle is an old baroque palace which was partially destroyed by fire on the night of April 2, 1896 and was reconstructed in the same year in its original form by Franz Hubert von Tiele-Winckler. The reconstruction works involved an extension of the residence. The eastern Neogothic-styled wing of the building was built by 1900, along with an adjacent orangery. In 1912-1914, the western wing was built in the Neo-Renaissance style. The architectural form of the castle contains a wide variety of styles, thus it can be generally defined as eclectic.
The height of the building, as well as its numerous turrets and spires, give the impression of verticalism. The whole castle has exactly ninety-nine turrets. Inside, it contains 365 rooms. The castle was twice visited by the German Emperor Wilhelm II. His participation in hunting during his stay at the castle was documented in a hand-written chronicle in 1911 as well as in the following year. The castle in Moszna was the residence of a Silesian family Tiele-Winckler who were industrial magnates, from 1866 until the spring of 1945 when they were forced to move to Germany and the castle was occupied by the Red Army. The period of the Soviet control caused significant damage to the castle's internal fittings in comparison to the minor damage caused by WWII.
After World War II the castle did not have a permanent owner and was the home of various institutions until 1972 when it became a convalescent home. Later it became a Public Health Care Centre for Therapies of Neuroses. Nowadays it can be visited by tourists since the health institution has moved to another building in the neighbourhood. The castle also has a chapel which is used as a concert hall. Since 1998 the castle housed a gallery in which works of various artists are presented at regular exhibitions.
Apart from the castle itself, the entire complex includes a park which has no precise boundaries and includes nearby fields, meadows and a forest. Only the main axis of the park can be characterised as geometrical. Starting from the gate, it leads along the oak and then horse-chestnut avenues, towards the castle. Further on, the park passes into an avenue of lime trees with symmetrical canals running along both sides of the path, lined with a few varieties of rhododendrons. The axis of the park terminates at the base of a former monument of Hubert von Tiele-Winckler. On the eastern side of the avenue there is a pond with an islet referred to by the owners as Easter Island. The islet is planted with needle-leaved shrubs and can be reached by a Chinese-styled bridge. The garden, as part of the whole park complex was restored slightly earlier than the castle itself. Preserved documents of 1868 state that the improvement in the garden's aesthetic quality was undertaken by Hubert von Tiele-Winckler.