The Vatican Historical Museum is one of the sections of the Vatican Museums. It was founded in 1973 at the behest of Pope Paul VI, and was initially hosted in environments under the Square Garden. In 1987 it was moved to the main floor of the Apostolic Palace of the Lateran and opened in March 1991.
The Vatican Historical Museum has a unique collection of portraits of the Popes from the 16th century to date, the memorable items of the Papal Military Corps of the 16-17th centuries and old religious paraphernalia related to rituals of the papacy. Also on display on the lower floor are the papamobili (Popemobiles); carriages and motorcars of Popes and Cardinals, including the first cars used by Popes.
The Lateran Palace, which is next to the Basilica of Saint John Lateran to its left within the courtyard of the church with a common entry gate, is a large apartment complex of the Pope. Domenico Fontana was the architect of this palace which was built to his design in 1586. Right at the entrance the staircase is a massive and impressive structure with the ceiling decorated with frescoes. It had been refurbished by Pope Paul IV into ten halls; each of these halls had frescoes of the Mannerist Age. The hall known as the Conciliation, and was provided with allegories related to the papacy of Sixtus V. The other halls were named Constantine, Hall of Apostles, Emperors Room, Popes Room and so forth. The fresco decorations were on themes of the History of Rome, episodes of the Bible related to Daniel, David, Solomon, Samuel and others, and also related to the Gospel. Several colourful tapestries and Goblins added to the aesthetic elegance of the halls. Before the History Museum decided to relocate here to a more luxurious locale, none of the rooms had been allowed to be used for any general public purpose. Since 1991, these rooms have been exclusively used as exhibition or display rooms for the exhibits moved from the Vatican Museums.
The museum has been arranged into two wings. The principal wing is the museum of all artistic and historic importance starting with the paintings of the history of the Papal States, portraits of Popes till date, memorabilia of the Papal Military Corps including the navy, documents related to ceremonial orders of Popes, the Papal household items, and various ceremonial regalia and religious vessels and insignia not in use.
The second wing is an annex wing on the ground floor where the papamobili are on display; these consist of decorated carriages, saddles, sedans, wagons and the first cars used by the Popes.References:
The Moszna Castle is one of the best known monuments in the western part of Upper Silesia. The history of this building begins in the 17th century, although much older cellars were found in the gardens during excavations carried out at the beginning of the 20th century. Some of the investigators, including H. Barthel, claimed that those cellars could have been remnants of a presumed Templar castle, but their theory has never been proved. After World War II, further excavations discovered a medieval palisade.
The central part of the castle is an old baroque palace which was partially destroyed by fire on the night of April 2, 1896 and was reconstructed in the same year in its original form by Franz Hubert von Tiele-Winckler. The reconstruction works involved an extension of the residence. The eastern Neogothic-styled wing of the building was built by 1900, along with an adjacent orangery. In 1912-1914, the western wing was built in the Neo-Renaissance style. The architectural form of the castle contains a wide variety of styles, thus it can be generally defined as eclectic.
The height of the building, as well as its numerous turrets and spires, give the impression of verticalism. The whole castle has exactly ninety-nine turrets. Inside, it contains 365 rooms. The castle was twice visited by the German Emperor Wilhelm II. His participation in hunting during his stay at the castle was documented in a hand-written chronicle in 1911 as well as in the following year. The castle in Moszna was the residence of a Silesian family Tiele-Winckler who were industrial magnates, from 1866 until the spring of 1945 when they were forced to move to Germany and the castle was occupied by the Red Army. The period of the Soviet control caused significant damage to the castle's internal fittings in comparison to the minor damage caused by WWII.
After World War II the castle did not have a permanent owner and was the home of various institutions until 1972 when it became a convalescent home. Later it became a Public Health Care Centre for Therapies of Neuroses. Nowadays it can be visited by tourists since the health institution has moved to another building in the neighbourhood. The castle also has a chapel which is used as a concert hall. Since 1998 the castle housed a gallery in which works of various artists are presented at regular exhibitions.
Apart from the castle itself, the entire complex includes a park which has no precise boundaries and includes nearby fields, meadows and a forest. Only the main axis of the park can be characterised as geometrical. Starting from the gate, it leads along the oak and then horse-chestnut avenues, towards the castle. Further on, the park passes into an avenue of lime trees with symmetrical canals running along both sides of the path, lined with a few varieties of rhododendrons. The axis of the park terminates at the base of a former monument of Hubert von Tiele-Winckler. On the eastern side of the avenue there is a pond with an islet referred to by the owners as Easter Island. The islet is planted with needle-leaved shrubs and can be reached by a Chinese-styled bridge. The garden, as part of the whole park complex was restored slightly earlier than the castle itself. Preserved documents of 1868 state that the improvement in the garden's aesthetic quality was undertaken by Hubert von Tiele-Winckler.