The Trevi Fountain is the largest Baroque fountain in Rome and one of the most famous fountains in the world. The fountain has appeared in several notable films, including Federico Fellini's La Dolce Vita.
The fountain at the junction of three roads marks the terminal point of the 'modern' Acqua Vergine, the revived Aqua Virgo, one of the aqueducts that supplied water to ancient Rome. In 19 BC, supposedly with the help of a virgin, Roman technicians located a source of pure water some 13 km from the city (This scene is presented on the present fountain's façade). However, the eventual indirect route of the aqueduct made its length some 22 km. This Aqua Virgo led the water into the Baths of Agrippa. It served Rome for more than 400 years.
In 1629 Pope Urban VIII, finding the earlier fountain insufficiently dramatic, asked Gian Lorenzo Bernini to sketch possible renovations, but the project was abandoned when the pope died. Though Bernini's project was never constructed, there are many Bernini touches in the fountain as it exists today.
Competitions had become the rage during the Baroque era to design buildings, fountains and even the Spanish Steps. In 1730 Pope Clement XII organized a contest in which Nicola Salvi initially lost to Alessandro Galilei, but due to the outcry in Rome over the fact that a Florentine won, Salvi was awarded the commission anyway. Work began in 1732 and the fountain was completed in 1762, long after Salvi's death, when Pietro Bracci's Oceanus (god of all water) was set in the central niche.
Linderhof is the smallest of the three palaces built by King Ludwig II of Bavaria and the only one which he lived to see completed.
Ludwig II, who was crowned king in 1864, began his building activities in 1867-1868 by redesigning his rooms in the Munich Residenz and laying the foundation stone of Neuschwanstein Castle. In 1868 he was already making his first plans for Linderhof. However, neither the palace modelled on Versailles that was to be sited on the floor of the valley nor the large Byzantine palace envisaged by Ludwig II were ever built.
Instead, the new building developed around the forester's house belonging to his father Maximilian II, which was located in the open space in front of the present palace and was used by the king when crown prince on hunting expeditions with his father.