The Capitoline Museums (Musei Capitolini) are a single museum containing a group of art and archeological museums in Piazza del Campidoglio, on top of the Capitoline Hill. The historic seats of the museums are Palazzo dei Conservatori and Palazzo Nuovo, facing on the central trapezoidal piazza in a plan conceived by Michelangelo Buonarroti in 1536 and executed over a period of more than 400 years.
The history of the museums can be traced to 1471, when Pope Sixtus IV donated a collection of important ancient bronzes to the people of Rome and located them on the Capitoline Hill. Since then, the museums' collection has grown to include a large number of ancient Roman statues, inscriptions, and other artifacts; a collection of medieval and Renaissance art; and collections of jewels, coins, and other items. The museums are owned and operated by the municipality of Rome.
The statue of a mounted rider in the centre of the piazza is of Emperor Marcus Aurelius. It is a copy, the original being housed on-site in the Capitoline museum.
Open to the public in 1734 under Clement XII, the Capitoline Museums are considered the first museum in the world, understood as a place where art could be enjoyed by all and not only by the owners.
The Capitoline Museums are composed of three main buildings surrounding the Piazza del Campidoglio and interlinked by an underground gallery beneath the piazza.
Palazzo Senatorio was built in the 12th century and modified according to Michelangelo's designs. It now houses the Roman city hall.
Palazzo dei Conservatori was built in the mid-16th century and redesigned by Michelangelo with the first use of the giant order column design. The collections here are ancient sculptures, mostly Roman but also Greek and Egyptian.
The second floor of the building is occupied by the Conservator's Apartment, a space now open to the public and housing such famous works as the bronze she-wolf nursing Romulus and Remus, which has become the emblem of Rome. The Conservator's Apartment is distinguished by elaborate interior decorations, including frescoes, stuccos, tapestries, and carved ceilings and doors.
The third floor of the Palazzo dei Conservatori houses the Capitoline Art Gallery, housing the museums' painting and applied art galleries. The Capitoline Coin Cabinet, containing collections of coins, medals, jewels, and jewelry, is located in the attached Palazzo Caffarelli-Clementino.
Palazzo Nuovo was built in the 17th century with an identical exterior design to the Palazzo dei Conservatori, which it faces across the palazzo.
Statues, inscriptions, sarcophagi, busts, mosaics, and other ancient Roman artifacts occupy two floors of the Palazzo Nuovo.
In the Hall of the Galatian can also be appreciated the marble statue of the Dying Gaul also called and the statue of Cupid and Psyche. There is also a colossal statue restored as Oceanus, located in the museum courtyard and the statue of Capitoline Venus, from an original by Praxiteles (4th century BC).References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.