The Capitoline Museums (Musei Capitolini) are a single museum containing a group of art and archeological museums in Piazza del Campidoglio, on top of the Capitoline Hill. The historic seats of the museums are Palazzo dei Conservatori and Palazzo Nuovo, facing on the central trapezoidal piazza in a plan conceived by Michelangelo Buonarroti in 1536 and executed over a period of more than 400 years.
The history of the museums can be traced to 1471, when Pope Sixtus IV donated a collection of important ancient bronzes to the people of Rome and located them on the Capitoline Hill. Since then, the museums' collection has grown to include a large number of ancient Roman statues, inscriptions, and other artifacts; a collection of medieval and Renaissance art; and collections of jewels, coins, and other items. The museums are owned and operated by the municipality of Rome.
The statue of a mounted rider in the centre of the piazza is of Emperor Marcus Aurelius. It is a copy, the original being housed on-site in the Capitoline museum.
Open to the public in 1734 under Clement XII, the Capitoline Museums are considered the first museum in the world, understood as a place where art could be enjoyed by all and not only by the owners.
The Capitoline Museums are composed of three main buildings surrounding the Piazza del Campidoglio and interlinked by an underground gallery beneath the piazza.
Palazzo Senatorio was built in the 12th century and modified according to Michelangelo's designs. It now houses the Roman city hall.
Palazzo dei Conservatori was built in the mid-16th century and redesigned by Michelangelo with the first use of the giant order column design. The collections here are ancient sculptures, mostly Roman but also Greek and Egyptian.
The second floor of the building is occupied by the Conservator's Apartment, a space now open to the public and housing such famous works as the bronze she-wolf nursing Romulus and Remus, which has become the emblem of Rome. The Conservator's Apartment is distinguished by elaborate interior decorations, including frescoes, stuccos, tapestries, and carved ceilings and doors.
The third floor of the Palazzo dei Conservatori houses the Capitoline Art Gallery, housing the museums' painting and applied art galleries. The Capitoline Coin Cabinet, containing collections of coins, medals, jewels, and jewelry, is located in the attached Palazzo Caffarelli-Clementino.
Palazzo Nuovo was built in the 17th century with an identical exterior design to the Palazzo dei Conservatori, which it faces across the palazzo.
Statues, inscriptions, sarcophagi, busts, mosaics, and other ancient Roman artifacts occupy two floors of the Palazzo Nuovo.
In the Hall of the Galatian can also be appreciated the marble statue of the Dying Gaul also called and the statue of Cupid and Psyche. There is also a colossal statue restored as Oceanus, located in the museum courtyard and the statue of Capitoline Venus, from an original by Praxiteles (4th century BC).References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.