Trajan's Forum was the last of the Imperial fora to be constructed in ancient Rome. It was built on the order of the emperor Trajan with the spoils of war from the conquest of Dacia, which ended in 106. The Forum was inaugurated in 112, while Trajan's Column was erected and then inaugurated in 113.
The Forum consisted of a vast portico-lined piazza measuring 300 metres long and 185 metres wide exedrae on two sides. The main entrance to the forum lay on the southern side, via a triumphal arch surmounted by a statue of Trajan in a six-horse chariot. The Basilica Ulpia lies at the north end of the piazza, which was cobbled with rectangular blocks of white marble and decorated by a large equestrian statue of Trajan. On either side of the piazza are markets, also housed by the exedrae.
North of the Basilica was a smaller piazza, with a temple dedicated to the deified Trajan on the far north side facing inwards. The position of - and very existence of - the temple dedicated to the deified Trajan is a matter of hotly contested debate among archaeologists, particularly clear in the ongoing debate between James E. Packer and Roberto Meneghini. Directly north of the Basilica Ulpia on either side of the forum were two libraries, one housing Latin documents and the other Greek documents. Between the libraries stood the 38-metre Trajan's Column.
In the mid-9th century, the marble cobble blocks of the piazza were systematically taken for re-use, because of the good quality of the lime. At the same time, the pavement was restored in wrought as a sign that the piazza was still in use as a public space.
In modern times only a section of the markets and the column of Trajan remain. A number of columns which historically formed the Basilica Ulpia remained on site, and have been re-erected. Today Trajan's forum has become well known for its large population of feral cats.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.