The Forum of Caesar (Foro di Cesare) was built by Julius Caesar near the Forum Romanum in Rome in 46 BC. Caesar decided to construct a forum bearing his name in the northeast section of the Forum Romanum, of which he purchased a very expensive, select amount of parcels of land in that area. The Forum spanned from the Argiletum on the southeast side of the Forum Romanum to the Atrium Libertatis and spanned 160 meters by 75 meters. As part of the dedication, lavish games were offered and funded by Caesar, indicating the staggering cost and thus the personal interest that Caesar had invested in the project.
The Forum of Caesar originally meant an expansion of the Forum Romanum. The Forum, however, evolved so that it served two additional purposes. As Caesar became more and more involved in this project, the Forum became a place for public business that was related to the Senate in addition to a shrine for Caesar himself as well as Venus Genetrix.
Before his assassination, Caesar would have the Senate meet him before his temple, an act deemed very unpopular by the Senate. The Forum of Caesar also had an effect on the Curia, which Caesar began to reconstruct in 44 BC. This reconstruction moved the Forum of Caesar much closer to the Curia. The ten tabernae located on the western side of the Forum and its now close approximation to the Senate house symbolized the unity that Caesar felt between himself and the Senate.
Caesar also placed a statue of his favourite horse in front of the temple. Following his assassination, a statue of Caesar riding this horse was added. The Temple of Venus Genetrix was completed after Caesar's assassination by Roman senators, which included lavish games in reference to Caesar's original dedication to the Forum. Caesar had plans for this temple well in advance, having dedicated the construction of a temple to Venus Victrix at the climactic Battle of Pharsalus in 48 BC, though never being able to see its completion. This original dedication was done because it was Pompey's favourite goddess, and Caesar hoped to gain the goddess's favour before the battle against Pompey.
The temple was re-built after the removal of the gap between the Capitoline Hill and the Quirinal Hill, under the reigns of Domitian and Trajan; during the adaptation of the gap, a second floor of tabernae was created behind the west portico of the square and a building with pillars made of tuff blocks, named Basilica Argentaria, was erected. The new temple was inaugurated in the same day as the Trajan's Column, on May 12, 113.
Following the reigns of Caesar and Augustus, a total reconstruction of the Forum took place, headed by the Roman Emperor Domitian. Why this reconstruction occurred is not exactly known. Under the reign of Titus, a massive fire ravaged the city in AD 80, including the Forum Romanum. The Forum of Caesar was not rebuilt until AD 95, however, indicating that perhaps Domitian had a personal interest in the reconstruction. This could be seen in the separation of the Curia from the Forum, symbolizing a reversal of Caesar's wish to have the Senate closely connected with him. Not much senatorial business took place in the Forum afterwards, except for the secretarium senatus in the 4th century.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.