The Forum of Caesar (Foro di Cesare) was built by Julius Caesar near the Forum Romanum in Rome in 46 BC. Caesar decided to construct a forum bearing his name in the northeast section of the Forum Romanum, of which he purchased a very expensive, select amount of parcels of land in that area. The Forum spanned from the Argiletum on the southeast side of the Forum Romanum to the Atrium Libertatis and spanned 160 meters by 75 meters. As part of the dedication, lavish games were offered and funded by Caesar, indicating the staggering cost and thus the personal interest that Caesar had invested in the project.
The Forum of Caesar originally meant an expansion of the Forum Romanum. The Forum, however, evolved so that it served two additional purposes. As Caesar became more and more involved in this project, the Forum became a place for public business that was related to the Senate in addition to a shrine for Caesar himself as well as Venus Genetrix.
Before his assassination, Caesar would have the Senate meet him before his temple, an act deemed very unpopular by the Senate. The Forum of Caesar also had an effect on the Curia, which Caesar began to reconstruct in 44 BC. This reconstruction moved the Forum of Caesar much closer to the Curia. The ten tabernae located on the western side of the Forum and its now close approximation to the Senate house symbolized the unity that Caesar felt between himself and the Senate.
Caesar also placed a statue of his favourite horse in front of the temple. Following his assassination, a statue of Caesar riding this horse was added. The Temple of Venus Genetrix was completed after Caesar's assassination by Roman senators, which included lavish games in reference to Caesar's original dedication to the Forum. Caesar had plans for this temple well in advance, having dedicated the construction of a temple to Venus Victrix at the climactic Battle of Pharsalus in 48 BC, though never being able to see its completion. This original dedication was done because it was Pompey's favourite goddess, and Caesar hoped to gain the goddess's favour before the battle against Pompey.
The temple was re-built after the removal of the gap between the Capitoline Hill and the Quirinal Hill, under the reigns of Domitian and Trajan; during the adaptation of the gap, a second floor of tabernae was created behind the west portico of the square and a building with pillars made of tuff blocks, named Basilica Argentaria, was erected. The new temple was inaugurated in the same day as the Trajan's Column, on May 12, 113.
Following the reigns of Caesar and Augustus, a total reconstruction of the Forum took place, headed by the Roman Emperor Domitian. Why this reconstruction occurred is not exactly known. Under the reign of Titus, a massive fire ravaged the city in AD 80, including the Forum Romanum. The Forum of Caesar was not rebuilt until AD 95, however, indicating that perhaps Domitian had a personal interest in the reconstruction. This could be seen in the separation of the Curia from the Forum, symbolizing a reversal of Caesar's wish to have the Senate closely connected with him. Not much senatorial business took place in the Forum afterwards, except for the secretarium senatus in the 4th century.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.