Piazza Navona

Rome, Italy

Piazza Navona was built on the site of the 1th-century Stadium of Domitian and follows the form of the open space of the stadium. Defined as a public space in the last years of 15th century, when the city market was transferred there from the Campidoglio, Piazza Navona was transformed into a highly significant example of Baroque Roman architecture and art during the pontificate of Pope Innocent X. He reigned from 1644 until 1655, and whose family palace, the Palazzo Pamphili, faced the piazza. It features important sculptural and architectural creations like the famous Fontana dei Quattro Fiumi (1651) by Gian Lorenzo Bernini, topped by the Obelisk of Domitian, brought in pieces from the Circus of Maxentius.

Piazza Navona has two other fountains. At the southern end is the Fontana del Moro with a basin and four Tritons sculpted by Giacomo della Porta (1575) to which, in 1673, Bernini added a statue of a Moor, or African, wrestling with a dolphin. At the northern end is the Fountain of Neptune (1574) also created by Giacomo della Porta; the statue of Neptune, by Antonio Della Bitta, was added in 1878 to create a balance with La Fontana del Moro.

During its history, the piazza has hosted theatrical events and other ephemeral activities. From 1652 until 1866, when the festival was suppressed, it was flooded on every Saturday and Sunday in August in elaborate celebrations of the Pamphilj family. The pavement level was raised in the 19th century, and in 1869 the market was moved to the nearby Campo de' Fiori. A Christmas market is held in the piazza.

References:

Comments

Your name



User Reviews

Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Château de Foix

The Château de Foix dominates the town of Foix. An important tourist site, it is known as a centre of the Cathars. Built on an older 7th-century fortification, the castle is known from 987. In 1002, it was mentioned in the will of Roger I, Count of Carcassonne, who bequeathed the fortress to his youngest child, Bernard. In effect, the family ruling over the region were installed here which allowed them to control access to the upper Ariège valley and to keep surveillance from this strategic point over the lower land, protected behind impregnable walls.

In 1034, the castle became capital of the County of Foix and played a decisive role in medieval military history. During the two following centuries, the castle was home to Counts with shining personalities who became the soul of the Occitan resistance during the crusade against the Albigensians. The county became a privileged refuge for persecuted Cathars.

The castle, often besieged (notably by Simon de Montfort in 1211 and 1212), resisted assault and was only taken once, in 1486, thanks to treachery during the war between two branches of the Foix family.

From the 14th century, the Counts of Foix spent less and less time in the uncomfortable castle, preferring the Governors' Palace. From 1479, the Counts of Foix became Kings of Navarre and the last of them, made Henri IV of France, annexed his Pyrrenean lands to France.

As seat of the Governor of the Foix region from the 15th century, the castle continued to ensure the defence of the area, notably during the Wars of Religion. Alone of all the castles in the region, it was exempted from the destruction orders of Richelieu (1632-1638).

Until the Revolution, the fortress remained a garrison. Its life was brightened with grand receptions for its governors, including the Count of Tréville, captain of musketeers under Louis XIII and Marshal Philippe Henri de Ségur, one of Louis XVI's ministers. The Round Tower, built in the 15th century, is the most recent, the two square towers having been built before the 11th century. They served as a political and civil prison for four centuries until 1862.

Since 1930, the castle has housed the collections of the Ariège départemental museum. Sections on prehistory, Gallo-Roman and mediaeval archaeology tell the history of Ariège from ancient times. Currently, the museum is rearranging exhibits to concentrate on the history of the castle site so as to recreate the life of Foix at the time of the Counts.