The Basilica of St. Stephen in the Round on the Celian Hill (Basilica di Santo Stefano al Monte Celio), commonly named Santo Stefano Rotondo, is Hungary's 'national church' in Rome. It is dedicated to both Saint Stephen, the Christian first martyr, and Stephen I, the sanctified first king of Hungary who imposed Christianity on his subjects.
The earliest church was consecrated by Pope Simplicius between 468 and 483. It was dedicated to the protomartyr Saint Stephen, whose body had been discovered a few decades before in the Holy Land, and brought to Rome. The church was the first in Rome to have a circular plan, inspired by the Church of the Holy Sepulchre in Jerusalem.
The church was embellished by Pope John I and Pope Felix IV in the 6th century with mosaics and colored marble. The church was restored in 1139-1143 by Pope Innocent II, who abandoned the outer ambulatory, and three of the four side chapels. He also had three transversal arches added to support the dome, enclosed the columns of the central ambulatory with brick to form the new outer wall, and walled up 14 of the windows in the drum.
In the Middle Ages, Santo Stefano Rotondo was in the charge of the Canons of San Giovanni in Laterano, but as time went on it fell into disrepair. In 1454, Pope Nicholas V entrusted the ruined church to the Pauline Fathers, the only Catholic Order founded by Hungarians.
The altar was made by the Florentine artist Bernardo Rossellino in the 15th century. The painting in the apse shows Christ between two martyrs. An ancient chair of Pope Gregory the Great from around 580 AD is preserved here.
The Chapel of Ss. Primo e Feliciano has very interesting and rare mosaics from the 7th century.
The Hungarian chapel is dedicated to King Stephen I of Hungary, Szent István, the canonized first king of the Magyars. The frescoes of the chapel were painted in 1776 but older paintings were recently discovered under them.
Under the church there is a 2nd-century mithraeum, related to the presence of the barracks of Roman soldiers in the neighbourhood. The cult of Mithras was especially popular among soldiers. A coloured marble bas-relief from the 3rd century is today in the Museo Nazionale Romano.References:
The first historical record of Lednice locality dates from 1222. At that time there stood a Gothic fort with courtyard, which was lent by Czech King Václav I to Austrian nobleman Sigfried Sirotek in 1249.
At the end of the 13th century the Liechtensteins, originally from Styria, became holders of all of Lednice and of nearby Mikulov. They gradually acquired land on both sides of the Moravian-Austrian border. Members of the family most often found fame in military service, during the Renaissance they expanded their estates through economic activity. From the middle of the 15th century members of the family occupied the highest offices in the land. However, the family’s position in Moravia really changed under the brothers Karel, Maximilian, and Gundakar of Liechtenstein. Through marriage Karel and Maximilian acquired the great wealth of the old Moravian dynasty of the Černohorskýs of Boskovice. At that time the brothers, like their father and grandfather, were Lutheran, but they soon converted to Catholicism, thus preparing the ground for their rise in politics. Particularly Karel, who served at the court of Emperor Rudolf II, became hetman of Moravia in 1608, and was later raised to princely status by King Matyas II and awarded the Duchy of Opava.
During the revolt of the Czech nobility he stood on the side of the Habsburgs, and took part in the Battle of White Mountain. After the uprising was defeated in 1620 he systematically acquired property confiscated from some of the rebels, and the Liechtensteins became the wealthiest family in Moravia, rising in status above the Žerotíns. Their enormous land holdings brought them great profits, and eventually allowed them to carry out their grandious building projects here in Lednice.
In the 16th century it was probably Hartmann II of Liechtenstein who had the old medieval water castle torn down and replaced with a Renaissance chateau. At the end of the 17th century the chateau was torn down and a Baroque palace was built, with an extensive formal garden, and a massive riding hall designed by Johann Bernard Fischer von Erlach that still stands in almost unaltered form.
In the mid-18th century the chateau was again renovated, and in 1815 its front tracts that had been part of the Baroque chateau were removed.
The chateau as it looks today dates from 1846-1858, when Prince Alois II decided that Vienna was not suitable for entertaining in the summer, and had Lednice rebuilt into a summer palace in the spirit of English Gothic. The hall on the ground floor would serve to entertain the European aristocracy at sumptuous banquets, and was furnished with carved wood ceilings, wooden panelling, and select furniture, surpassing anything of its kind in Europe.