The Church of Saint Susanna at the Baths of Diocletian is located on the Quirinal Hill in Rome. There has been a titular church associated to its site as far back as AD 280. The current church was rebuilt from 1585 to 1603 for a monastery of Cistercian nuns founded on the site in 1587 which still exists there.
About 280, an early Christian house of worship was established on this site, which, like many of the earliest Christian meeting places, was in a house. According to the 6th-century document, the domus belonged to two brothers named Caius and Gabinus, prominent Christians. Santa Susanna is one of the oldest titles in the city of Rome. The early Christian church, built on the remains of three Roman villas still visible beneath the monastery, was situated immediately outside the wall of the Baths built by Diocletian and the Servian Wall, the first walls built to defend the city. The first three-aisled basilica was almost certainly built under the pontificate of Pope Leo III (795-816).
Pope Leo III rebuilt the church from the ground in 796, adding the great apse and conserving the relics of the saints in the crypt. A vast mosaic of Christ flanked by Leo and the Emperor Charlemagne and Saints Susanna and Felicity on the other was so badly damaged in the 12th century by an earthquake, that the interior was plastered over in the complete renovation that spanned the years 1585-1602 and frescoed by Cesare Nebbia.
Pope Sixtus IV (1475-1477) proceeded to rebuild the Church, probably a single nave with two side chapels. In 1588 it became the last great rebuilding effort of Cardinal Girolamo Rusticucci, Cardinal protector of the Cistercian Order, with construction running from 1595 to 1603.
The altarpiece of the high altar, depicting the beheading of St. Susanna, is by Tommaso Laureti of Palermo (1530-1602). Through the glass floor of the sacristy can be seen part of the early Christian Church and the remains of the Roman house, which is said to be the home of the father of the saint.
The church consists of a single nave, with a circular apse forming two side-chapels. The frescoes of the central nave by Baldassare Croce represent six scenes from the life of Susanna found in the Book of Daniel. The frescoes on the curved side of the apse shows Saint Susanna being threatened by Maximian, but defended by the angel of God and to the right, Susanna refusing to worship the idol Jupiter. Nebbia's frescoes of the dome of the apse depict Saint Susanna flanked on either side by angels with musical instruments. Behind the high altar, the painting depicting the beheading of Saint Susanna is by Tommaso Laureti.
Domenico Fontana constructed the second side-chapel to the left dedicated to Saint Lawrence, commissioned by Camilla Peretti, sister of Pope Sixtus V. The paintings are by the Milanese artist Giovanni Battista Pozzo (1563-1591). The altar painting by Cesare Nebbia depicts the martyrdom of St. Lawrence. In this chapel are venerated Saint Genesius of Rome, patron of actors, in the act of receiving baptism, and the bishop Pope Saint Eleuterus.
The valuable ceiling of the nave and of the presbytery is made in polychromed gilt wood, carved to the design of Carlo Maderno.References:
Glimmingehus is the best preserved medieval stronghold in Scandinavia. It was built 1499-1506, during an era when Scania formed a vital part of Denmark, and contains many defensive arrangements of the era, such as parapets, false doors and dead-end corridors, 'murder-holes' for pouring boiling pitch over the attackers, moats, drawbridges and various other forms of death traps to surprise trespassers and protect the nobles against peasant uprisings. The lower part of the castle's stone walls are 2.4 meters (94 inches) thick and the upper part 1.8 meters (71 inches).
Construction was started in 1499 by the Danish knight Jens Holgersen Ulfstand and stone-cutter-mason and architect Adam van Düren, a North German master who also worked on Lund Cathedral. Construction was completed in 1506.
Ulfstand was a councillor, nobleman and admiral serving under John I of Denmark and many objects have been uncovered during archeological excavations that demonstrate the extravagant lifestyle of the knight's family at Glimmingehus up until Ulfstand's death in 1523. Some of the most expensive objects for sale in Europe during this period, such as Venetian glass, painted glass from the Rhine district and Spanish ceramics have been found here. Evidence of the family's wealth can also be seen inside the stone fortress, where everyday comforts for the knight's family included hot air channels in the walls and bench seats in the window recesses. Although considered comfortable for its period, it has also been argued that Glimmingehus was an expression of "Knighthood nostalgia" and not considered opulent or progressive enough even to the knight's contemporaries and especially not to later generations of the Scanian nobility. Glimmingehus is thought to have served as a residential castle for only a few generations before being transformed into a storage facility for grain.
An order from Charles XI to the administrators of the Swedish dominion of Scania in 1676 to demolish the castle, in order to ensure that it would not fall into the hands of the Danish king during the Scanian War, could not be executed. A first attempt, in which 20 Scanian farmers were ordered to assist, proved unsuccessful. An additional force of 130 men were sent to Glimmingehus to execute the order in a second attempt. However, before they could carry out the order, a Danish-Dutch naval division arrived in Ystad, and the Swedes had to abandon the demolition attempts. Throughout the 18th century the castle was used as deposit for agricultural produce and in 1924 it was donated to the Swedish state. Today it is administered by the Swedish National Heritage Board.
On site there is a museum, medieval kitchen, shop and restaurant and coffee house. During summer time there are several guided tours daily. In local folklore, the castle is described as haunted by multiple ghosts and the tradition of storytelling inspired by the castle is continued in the summer events at the castle called "Strange stories and terrifying tales".