The Church of Saint Susanna at the Baths of Diocletian is located on the Quirinal Hill in Rome. There has been a titular church associated to its site as far back as AD 280. The current church was rebuilt from 1585 to 1603 for a monastery of Cistercian nuns founded on the site in 1587 which still exists there.
About 280, an early Christian house of worship was established on this site, which, like many of the earliest Christian meeting places, was in a house. According to the 6th-century document, the domus belonged to two brothers named Caius and Gabinus, prominent Christians. Santa Susanna is one of the oldest titles in the city of Rome. The early Christian church, built on the remains of three Roman villas still visible beneath the monastery, was situated immediately outside the wall of the Baths built by Diocletian and the Servian Wall, the first walls built to defend the city. The first three-aisled basilica was almost certainly built under the pontificate of Pope Leo III (795-816).
Pope Leo III rebuilt the church from the ground in 796, adding the great apse and conserving the relics of the saints in the crypt. A vast mosaic of Christ flanked by Leo and the Emperor Charlemagne and Saints Susanna and Felicity on the other was so badly damaged in the 12th century by an earthquake, that the interior was plastered over in the complete renovation that spanned the years 1585-1602 and frescoed by Cesare Nebbia.
Pope Sixtus IV (1475-1477) proceeded to rebuild the Church, probably a single nave with two side chapels. In 1588 it became the last great rebuilding effort of Cardinal Girolamo Rusticucci, Cardinal protector of the Cistercian Order, with construction running from 1595 to 1603.
The altarpiece of the high altar, depicting the beheading of St. Susanna, is by Tommaso Laureti of Palermo (1530-1602). Through the glass floor of the sacristy can be seen part of the early Christian Church and the remains of the Roman house, which is said to be the home of the father of the saint.
The church consists of a single nave, with a circular apse forming two side-chapels. The frescoes of the central nave by Baldassare Croce represent six scenes from the life of Susanna found in the Book of Daniel. The frescoes on the curved side of the apse shows Saint Susanna being threatened by Maximian, but defended by the angel of God and to the right, Susanna refusing to worship the idol Jupiter. Nebbia's frescoes of the dome of the apse depict Saint Susanna flanked on either side by angels with musical instruments. Behind the high altar, the painting depicting the beheading of Saint Susanna is by Tommaso Laureti.
Domenico Fontana constructed the second side-chapel to the left dedicated to Saint Lawrence, commissioned by Camilla Peretti, sister of Pope Sixtus V. The paintings are by the Milanese artist Giovanni Battista Pozzo (1563-1591). The altar painting by Cesare Nebbia depicts the martyrdom of St. Lawrence. In this chapel are venerated Saint Genesius of Rome, patron of actors, in the act of receiving baptism, and the bishop Pope Saint Eleuterus.
The valuable ceiling of the nave and of the presbytery is made in polychromed gilt wood, carved to the design of Carlo Maderno.References:
Eketorp is an Iron Age fort in southeastern Öland, which was extensively reconstructed and enlarged in the Middle Ages. Throughout the ages the fortification has served a variety of somewhat differing uses: from defensive ringfort, to medieval safe haven and thence a cavalry garrison. In the 20th century it was further reconstructed to become a heavily visited tourist site and a location for re-enactment of medieval battles. Eketorp is the only one of the 19 known prehistoric fortifications on Öland that has been completely excavated, yielding a total of over 24,000 individual artifacts. The entirety of southern Öland has been designated as a World Heritage Site by UNESCO. The Eketorp fortification is often referred to as Eketorp Castle.
The indigenous peoples of the Iron Age constructed the original fortification about 400 AD, a period known to have engendered contact between Öland natives with Romans and other Europeans. The ringfort in that era is thought to have been a gathering place for religious ceremonies and also a place of refuge for the local agricultural community when an outside enemy appeared. The circular design was believed to be chosen because the terrain is so level that attack from any side was equally likely. The original diameter of this circular stone fortification was about 57 metres. In the next century the stone was moved outward to construct a new circular structure of about 80 metres in diameter. At this juncture there were known to be about fifty individual cells or small structures within the fort as a whole. Some of these cells were in the center of the fortified ring, and some were actually built into the wall itself.
In the late 600s AD the ringfort was mysteriously abandoned, and it remained unused until the early 11th century. This 11th century work generally built upon the earlier fort, except that stone interior cells were replaced with timber structures, and a second outer defensive wall was erected.
Presently the fort is used as a tourist site for visitors to Öland to experience a medieval fortification for this region. A museum within the castle walls displays a few of the large number of artefacts retrieved by the National Heritage Board during the major decade long excavation ending in 1974. Inside the fort visitors are greeted by actors in medieval costumes who assume the roles of period artisans and merchants who might have lived there nine centuries earlier. There are also re-enactment scenes of skirmishes and other dramatic events of daily life from the Middle Ages.
Eketorp lies a few kilometers west of Route 136. There is an ample unpaved parking area situated approximately two kilometers west of the paved Öland perimeter highway. There is also a gift shop on site. During peak summer visitation, there are guided tours available. Visitors are assessed an admission charge.