San Marco is a minor basilica in Rome dedicated to St. Mark the Evangelist. It was first built in 336 by Pope Mark, whose remains are in an urn located below the main altar. The basilica is the national church of Venice in Rome.
After a restoration in 792 by Pope Adrian I, the church was rebuilt by Pope Gregory IV in 833. Besides the addition of a Romanesque bell tower in 1154, the major change in the architecture of the church was ordered by Pope Paul II in 1465-70, when the façade of the church was restyled according to the Renaissance taste with a portico and loggia, using marbles taken from the Colosseum and the Theatre of Marcellus. The façade is attributed to Leon Battista Alberti. Paul II being a Venetian by birth, assigned the church to the Venetian people living in Rome.
The last major reworking of the basilica was started in 1654-57 and completed by Cardinal Angelo Maria Quirini in 1735-50. With these restorations, the church received its current Baroque decoration.
The floor of the church is below the ground level of the Renaissance period, and therefore steps lead down to the interior. The church retains its ancient basilica format, with a raised sanctuary. The inside of the church is clearly Baroque. However, the basilica shows noteworthy elements of all her earlier history:
the apse mosaics, dating to Pope Gregory IV (827-844), show the Pope, with the squared halo of a living person, offering a model of the church to Christ, in the presence of Mark the Evangelist, Pope Saint Mark and other saints. The wooden ceiling, with the emblem of Pope Paul II (1464-1471), is one of only two original 15th-century wooden ceilings in Rome, together with the one at Santa Maria Maggiore.
In the portico are several early Christian grave stones, as well as the gravestone of Vannozza dei Cattanei, the mistress of Cardinal Rodrigo Borgia.References:
The Moszna Castle is one of the best known monuments in the western part of Upper Silesia. The history of this building begins in the 17th century, although much older cellars were found in the gardens during excavations carried out at the beginning of the 20th century. Some of the investigators, including H. Barthel, claimed that those cellars could have been remnants of a presumed Templar castle, but their theory has never been proved. After World War II, further excavations discovered a medieval palisade.
The central part of the castle is an old baroque palace which was partially destroyed by fire on the night of April 2, 1896 and was reconstructed in the same year in its original form by Franz Hubert von Tiele-Winckler. The reconstruction works involved an extension of the residence. The eastern Neogothic-styled wing of the building was built by 1900, along with an adjacent orangery. In 1912-1914, the western wing was built in the Neo-Renaissance style. The architectural form of the castle contains a wide variety of styles, thus it can be generally defined as eclectic.
The height of the building, as well as its numerous turrets and spires, give the impression of verticalism. The whole castle has exactly ninety-nine turrets. Inside, it contains 365 rooms. The castle was twice visited by the German Emperor Wilhelm II. His participation in hunting during his stay at the castle was documented in a hand-written chronicle in 1911 as well as in the following year. The castle in Moszna was the residence of a Silesian family Tiele-Winckler who were industrial magnates, from 1866 until the spring of 1945 when they were forced to move to Germany and the castle was occupied by the Red Army. The period of the Soviet control caused significant damage to the castle's internal fittings in comparison to the minor damage caused by WWII.
After World War II the castle did not have a permanent owner and was the home of various institutions until 1972 when it became a convalescent home. Later it became a Public Health Care Centre for Therapies of Neuroses. Nowadays it can be visited by tourists since the health institution has moved to another building in the neighbourhood. The castle also has a chapel which is used as a concert hall. Since 1998 the castle housed a gallery in which works of various artists are presented at regular exhibitions.
Apart from the castle itself, the entire complex includes a park which has no precise boundaries and includes nearby fields, meadows and a forest. Only the main axis of the park can be characterised as geometrical. Starting from the gate, it leads along the oak and then horse-chestnut avenues, towards the castle. Further on, the park passes into an avenue of lime trees with symmetrical canals running along both sides of the path, lined with a few varieties of rhododendrons. The axis of the park terminates at the base of a former monument of Hubert von Tiele-Winckler. On the eastern side of the avenue there is a pond with an islet referred to by the owners as Easter Island. The islet is planted with needle-leaved shrubs and can be reached by a Chinese-styled bridge. The garden, as part of the whole park complex was restored slightly earlier than the castle itself. Preserved documents of 1868 state that the improvement in the garden's aesthetic quality was undertaken by Hubert von Tiele-Winckler.