The Hallwyl Palace was built 1893-1898 to the design of Isak Gustaf Clason for Count Walther von Hallwyl and his wife Wilhelmina. It was created to accommodate the office of the count and the extensive art collection of the countess. While the exterior of the building and the court is historical in style — borrowing architectonic elements from medieval prototypes and Renaissance Venice — it was technically utterly modern on its completion — including electricity, central heating, telephones, and bathrooms, while the elevator was a later addition.
The countess collected her artworks during her worldwide journeys in order to found a museum, and, consequently, the palace was donated to the Swedish State in 1920, a decade before her death. The collection encompasses some 50,000 objects, and the museum is still open to the public.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.