National Historical Museum, Stockholm, Sweden

The National Historical Museum (Historiska muséet) covers Swedish cultural history and art from the Stone Age to the 16th century. The museum is known for its so called "Gold Room" (Guldrummet) by the architect Leif Blomberg, where a large number of gold objects are kept as part of the exhibition. The museum hosts also the largest Viking exhibition, with more than 4,000 original artifacts.

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User Reviews

Priyanka Shinde (2 years ago)
The museum is very well designed. It has information in English too. The best thing is that it is for free.

Chuck Hill (2 years ago)
Excellent! Our entire family had a great time visiting. One could spend hours going through and studying everything or you go thru and see all the highlights in an hour or too. Def a good place to go when it's cold out!

Dave Hoekstra (3 years ago)
A great place to spend some time learning about Swedish history. Some of the facts are a bit dry, but there is something for everyone. And it is free!

Olga P (3 years ago)
Wonderful museum free of charge. Be preperated to spend 2 hours there... Its very interactive and it really makes you understand about the culture of Sweden

Katja Jacobs (3 years ago)
Free-entrance museum. Highly recommended for anyone interested in Sweden's background. Young lady at the museum shop desk was so friendly. There are free spacey lockers to leave your stuff during the visit. The service desk lady said I could do the whole museum in 1,5 - 2 hours. I only had 1,5 hours and chose to go straight to the Viking part. This is just a fraction of the whole museum but took me already 1,5 hours to see and read everything! It's a blessing this Museum is free for visitors, this way you can visit it several times and take enough time to see everything on a slower pace.

Featured Historic Landmarks, Sites & Buildings

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Historic Site of the week

Mosque–Cathedral of Córdoba

The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.

According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.

In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.

The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.

Architecture

The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.

In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.

The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.

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