San Marcello al Corso was built before 418, when Pope Boniface I was elected there. Pope Adrian I, in the 8th century, built a church on the same place, which is currently under the modern church. On 22 May 1519, a fire destroyed the church. The money collected for its rebuilding was used to bribe the landsknechts, who were pillaging the city during the Sack of Rome (1527).
The work was continued by Antonio da Sangallo the Younger, who rebuilt the church, but a Tiber flood damaged it again in 1530. It was only in 1592–1597 that the church was completed with a facade by Carlo Fontana, commissioned by Monsignor Marcantonio Cataldi Boncompagni. The exterior travertine statues were sculpted by Francesco Cavallini, and the stucco bas-relief over the entrance, with depicts San Filippo Benizio, was created by Antonio Raggi.
Under the main altar, decorated with 12th century opus sectile, are the relics of several saints, which include those of Pope Marcellus as well as Digna and Emerita. The last chapel on the left is dedicated to St Philip Benizi. The late-Baroque decoration contains sculptures by Francesco Cavallini and reliefs by Ercole Ferrata and Antonio Raggi. The first chapel on the left has the double tomb of Cardinal Giovanni Michiel and his grandson Antonio Orso sculpted by Jacopo Sansovino.
The church is administered and owned by the Servite Order since 1369.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.