Moos-Schulthaus is composed of several residential and farm buildings and combines Castel Moos with the Schulthaus Residence. The history of both, once in separated ownership, dates back to the 13th century. In 1958 the merchant Walther Amonn from Bolzano purchased the castle and had the residence restored. In the course of these works, whitewashed frescoes of the period around 1400 AD were discovered. Since 2013 Castel Moos-Schulthaus is administered by the South Tyrolean Castle Institute.
Today Castel Moos-Schulthaus is located in a rather hidden position above Castel Ganda in Appiano Monte, in the west of the Gleif Church, and is an ideal walking destination. In 1983 a museum dedicated to the Mediaeval culture of living was inaugurated, providing an interesting insight into the life of a bygone era. You can e.g. see a well-preserved Mediaeval kitchen, a Gothic stube and ancient furniture. The museum also displays a collection of paintings of Tyrolean artists of the first half of the 20th century.
One of the peculiarities of the museum are its illustrations. In the fresco “War of cats and mice” of 1410, the mice come out on top. Moreover there are illustrations of hunting scenes and a tree of wonders. Part of the complex is also a church of the 14th century, transformed into a residential building in the 19th century.
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.