Fortezza Fortress is one of the most striking fortresses of the Alpine area. On an area of 20 hectares, in the period between 1833 and 1838 AD, this fortress was built under the rule of Ferdinand I of Austria. The building comprises a giant labyrinth of rooms, corridors and stairways. The German name of the fortress, that is Franzensfeste, derives from Francis (Franz) I of Austria who ruled in the period when the fortress had been planned. The purpose of the Fortezza Fortress was to safeguard the traffic connection across the Alta Valle Isarco via the Brenner pass.
Partly 3,000 to 4,000 men were occupied with construction works at the same time. At the altitude of the caverns, munition was stored, while the lower part of the buildings houses the barracks. The two parts of the fortress were connected by a stairway with 433 steps, hewn in stone. Even if the fortification was actually designed for war purposes, it was never really involved in struggles. Still today, in the surroundings, there are several more pillboxes that were constructed around 1930 by the Italian army in order to once more fortify the Fortezza Fortress.
Today the complex can be visited in guided tours and features a museum. The permanent exhibition provides information about the history of this place and its surroundings. It also ventures the guess that the hoar of gold of the Italian National Bank was hidden in this place in WWII. Moreover the exhibition forges a bridge up to the present days and the future. By the way, the fortress today is also venue for various events such as the European Biennal of Contemporary Art Manifesta7 as well as some cultural events.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.