Sant'Agata dei Goti is dedicated to the martyr Saint Agatha. The church was built by Ricimer for the Goths c. 460. The Goths were Arians, so when Arianism was suppressed in Rome, the building was taken over by the Catholic Church, in 592 or 593, and reconsecrated by Pope Gregory the Great. It was restored in the 9th century, and a Benedictine monastery was founded next to it. The apse of the church collapsed in 1589, and it was partially rebuilt in 1633, without major changes to the building itself apart from the new apse. The small courtyard outside the church was laid out at this time.
The church has been served by the Stigmatines since 1926. Their generalate is adjacent to it. It is the only Arian church that has been preserved in Rome.
The façade was rebuilt by Francesco Ferrari in 1729. The relief above the door shows St. Agatha holding her severed breast on a plate; her torturers severed her breasts when she refused to renounce her faith in Christ.
The entrance from Via Mazzarino opens on a 17th-century courtyard. The Romanesque campanile was built in the 12th century.
Although it was redecorated in the Baroque style and has some 19th-century additions, it is still possible to see traces of the 5th-century plan, which was a basilica with three naves. The granite columns separating the naves are ancient.
The fresco in the apse shows the Glory of St Agatha, made by Paolo Gismondi in the 17th century. There is a 12th- or 13th-century canopy above the altar, reassembled and erected here in 1933. It has four columns of pavonazzetto marble, all decorated with Cosmatesque mosaic, and a temple roof. The former canopy was destroyed in 1589; fragments can be seen in the ceiling of the main chapel on the left-hand side.
The 15th-century Cosmatesque pavement in the middle of the nave has an unusual, but very nice, design. It is a very late example of the style. The rectangular windows were installed in the 17th century at the request of the Cardinals Francesco and Antonio Barberini. By the altar of St Agatha is a large statue of the saint.References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.