The Torre dei Conti was one of the most impressive towers that dominated medieval Rome. It was built in 1238 by Richard Conti, brother of Pope Innocent III as a fortified residence for his family, the Conti di Segni. The tower stood on the border of the territory of the rival family of the Frangipani. Currently standing at 29 metres, it was once 50–60 m tall, and gained the nickname of Torre Maggiore (Major Tower) for its size. Originally covered in travertine salvaged from the ruins of the Imperial Fora, this covering was in turn stripped for use in the construction of the Porta Pia in the 16th century, designed by Michelangelo.
The upper floors were destroyed by a series of earthquakes culminating in the earthquake of 1348, after which it was abandoned until 1620, when it was rebuilt by the Papal Chamber. Other earthquakes in 1630 and 1644 caused damage which was repaired at the end of the 17th century by Pope Alexander VIII, who added two buttresses.
With the opening of the Via Cavour in the 19th century and the Via dei Fori Imperiali in the early 20th century, the tower was left isolated from other buildings. In 1937, the tower was donated by Benito Mussolini to the Arditi (Italian stormtroopers), which retained ownership until 1943. The tower contains the mausoleum of General Alessandro Parisi, whose remains are preserved in an ancient Roman sarcophagus. Parisi, who died in an automobile accident in 1938, was the leader of the Arditi.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.