The Papal Basilica of St. Paul outside the Walls (Basilica Papale di San Paolo fuori le Mura), is one of Rome's four ancient major basilicas. The Basilica was founded by the Roman Emperor Constantine I over the burial place of St. Paul, where it was said that, after the Apostle's execution, his followers erected a memorial, called a cella memoriae.
In 386, Emperor Theodosius I began erecting a much larger and more beautiful basilica with a nave and four aisles with a transept; the work including the mosaics was not completed until Leo I's pontificate (440–461). Under Pope St. Gregory the Great (590–604) the Basilica was extensively modified. The pavement was raised to place the altar directly over St. Paul's tomb. A confession permitted access to the Apostle's sepulcher.
As it lay outside the Aurelian Walls, the Basilica was damaged in the 9th century during a Saracen raid. Consequently, Pope John VIII (872–82) fortified the Basilica, the monastery, and the dwellings of the peasantry, forming the town of Joannispolis. It existed until 1348, when an earthquake totally destroyed it.
The graceful cloister of the monastery was erected between 1220 and 1241.
On 15 July 1823, a negligent workman repairing the lead of the roof, started a fire that led to the near total destruction of this basilica, which, alone among all the churches of Rome, had preserved its primitive character for 1435 years. It was re-opened in 1840, and reconsecrated in 1855 with the presence of Pope Pius IX and fifty cardinals. The complete decoration and reconstruction, in charge of Luigi Poletti, took longer, however, and many countries made their contributions. The Viceroy of Egypt sent pillars of alabaster, the Emperor of Russia the precious malachite and lapis lazuli of the tabernacle. The work on the principal façade, looking toward the Tiber, was completed by the Italian Government, which declared the church a national monument.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.