A Franciscan monastery had existed on the tip of the peninsula of Dosso d'Avedo since the 13th century. The two towers which remain on the property are the campanili of the monastery's church. After failing in his attempts to buy the nearby Isola Comacina Cardinal Angelo Maria Durini purchased the property in 1785. In 1787 he converted the monastery building into a villa for use during the summer and added a loggia, which allowed viewers to otain two different panoramas of the lake.
After the cardinal’s death in 1796, the villa passed to his nephew, Luigi Porro Lambertenghi. During Lambertenghi's ownership the villa became a seat of republican activity and members of the Carbonari met here to discuss the unification of Italy. Among Lambertenghi's guests at the villa were the writer and patriot Silvio Pellico, who tutored Lambertenghi's sons. In 1820 Pellico was arrested at the villa by the Austrian government which forced Lambertenghi to move to Belgium, where he was supported by the Arconati Visconti family.
Lambertenghi subsequently sold the villa to his friend, Giuseppe Arconati Visconti, grandfather of Luchino Visconti. Visconti made improvements to its gardens and the loggia. To this day the balustrade in front of the church bears the Visconti emblem of a serpent with a man in its mouth. During the period of Visconti ownership the villa hosted politicians and writers Giovanni Berchet, Alessandro Manzoni, Giuseppe Giusti, as well as the artist Arnold Böcklin. The gradual decline of the family resulted in a lack of interest in the villa, which for more than 30 years was left to fall into a state of neglect.
Just prior to the commencement of World War I American businessman Butler Ames saw the villa for the first time. He made an offer to purchase it from the Arconati Visconti family and was initially rejected. He kept returning with ever larger cash offers until in 1919 he was successful in obtaining ownership. Ames renovated the villa and its garden.
In 1974, Ames's heirs sold the villa to businessman and explorer Count Guido Monzino (leader of the first Italian expedition to climb Mount Everest. While Monzino left the exterior essentially unchanged he had the interior of the villa completely re-decorated, installing artifacts acquired on his expeditions as well as important pieces of English Georgian and French antique furniture from the 18th and 19th centuries, Beauvais tapestries, French boiseries and Oriental carpets. In addition after the assassination of Aldo Moro in 1978 by the Red Brigade. Monzino worried that he may be on their list, added a system of hidden passages, linking parts of the property.
Monzino died in 1988 and left the villa along with most of the Dosso d'Avedo and an endowment to pay for maintenance, to the Fondo per l'Ambiente Italiano, the National Trust of Italy. Its grounds now form part of the Grandi Giardini Italiani.
Today the Villa del Balbianello is the most visited among the 52 FAI properties with over 90,000 visitors in 2015.References:
The Church of Saint Demetrius, or Hagios Demetrios, is the main sanctuary dedicated to Saint Demetrius, the patron saint of Thessaloniki. It is part of the site Palaeochristian and Byzantine Monuments of Thessaloniki on the list of World Heritage Sites by UNESCO since 1988.
The first church on the spot was constructed in the early 4th century AD, replacing a Roman bath. A century later, a prefect named Leontios replaced the small oratory with a larger, three-aisled basilica. Repeatedly gutted by fires, the church eventually was reconstructed as a five-aisled basilica in 629–634. This was the surviving form of the church much as it is today. The most important shrine in the city, it was probably larger than the local cathedral. The historic location of the latter is now unknown.
The church had an unusual shrine called the ciborium, a hexagonal, roofed structure at one side of the nave. It was made of or covered with silver. The structure had doors and inside was a couch or bed. Unusually, it did not hold any physical relics of the saint. The ciborium seems to have been a symbolic tomb. It was rebuilt at least once.
The basilica is famous for six extant mosaic panels, dated to the period between the latest reconstruction and the inauguration of the Byzantine Iconoclasm in 730. These mosaics depict St. Demetrius with officials responsible for the restoration of the church (called the founders, ktetors) and with children. An inscription below one of the images glorifies heaven for saving the people of Thessalonica from a pagan Slavic raid in 615.
Thessaloniki became part of the Ottoman Empire in 1430. About 60 years later, during the reign of Bayezid II, the church was converted into a mosque, known as the Kasımiye Camii after the local Ottoman mayor, Cezeri Kasım Pasha. The symbolic tomb however was kept open for Christian veneration. Other magnificent mosaics, recorded as covering the church interior, were lost either during the four centuries when it functioned as a mosque (1493–1912) or in the Great Thessaloniki Fire of 1917 that destroyed much of the city. It also destroyed the roof and upper walls of the church. Black-and-white photographs and good watercolour versions give an idea of the early Byzantine craftsmanship lost during the fire.
Following the Great Fire of 1917, it took decades to restore the church. Tombstones from the city"s Jewish cemetery - destroyed by the Greek and Nazi German authorities - were used as building materials in these restoration efforts in the 1940s. Archeological excavations conducted in the 1930s and 1940s revealed interesting artifacts that may be seen in a museum situated inside the church"s crypt. The excavations also uncovered the ruins of a Roman bath, where St. Demetrius was said to have been held prisoner and executed. A Roman well was also discovered. Scholars believe this is where soldiers dropped the body of St. Demetrius after his execution. After restoration, the church was reconsecrated in 1949.