Engelsberg Ironworks in Västmanland was constructed in 1681 and developed into one of the world's most modern ironworks in the period 1700-1800. The property comprises the mansion and park, works offices, workers' homes, and industrial buildings. Engelsberg is the only ironworks in Sweden that still preserves the buildings and most of the technical equipment. Engelsberg Ironworks was inscribed on the World Heritage List in 1993.
Iron production at Engelsberg goes back to the Middle Ages, when mine-owning farmers achieved efficiency in the use of the natural riches of the Bergslagen area. It was in the 18th century, however, that Engelsberg could definitely be ranked among the most important ironworks in Sweden and Europe. The works, which was ultramodern for its time, extracted and worked iron. The ore came from the Bergslagen mines, while the charcoal, which was crucial for heating the material, came from nearby forests.
Engelsberg Ironworks eventually consisted of about fifty different buildings. Besides the log-insulated smelting house and the hammer forge there is also a weighing house where the charcoal and ore were weighed. In the day workers' building, or the "inn" as it was also called, those who worked by the day could buy spirits and find accommodation. In 1917 a Lancashire forge with a rolling mill was built. The property also comprises two works offices, the gardener's house, slagstone towers, the grain store, workers' housing, and the byre. Engelsberg Ironworks is largely preserved as it looked after the last rebuilding in 1870. Particularly unique features are the blast furnace and the forge where the waterwheel, crusher, blower, and hammer still work.
For most of the eighteenth century Engelsberg Ironworks was owned by the Söderhielm family and in the nineteenth century by the Timm family. The works was sold in 1916 to Consul General Axel Ax:son Johnson, who put it under the administration of Avesta Ironworks. Three years later operations ceased. Engelsberg Ironworks is now owned by Nordstjernan AB, who restored the property in the 1970s with the aid of the National Heritage Board. In summer Engelsberg Ironworks is open to the public.References:
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.