The two pit furnaces at Dunshammar, two kilometres south of Ängelsberg, constitute the oldest link in the 1,500 years during which iron has been produced in the region. The furnaces have been well preserved and the site is one of only a few where Iron-Age pit furnaces can be seen in their natural setting. Several other pit furnaces existed in the bays on the eastern shore of lake Åmänningen during the Iron Age. The people lived just back from the shore, and Iron-Age graves have been discovered near Västervåla church and at Virsbo, 8 km to the south.
The furnaces, made of stone and sealed with clay, were created in pits, and bellows were used to blow air into the furnace. The ore was brought up from the bottom of the lake using boats or rafts in the summer, and through holes made in the ice in winter. The ore from the bed of the lake was rich in iron, having a concentration of some 60%. However, it also contained phosphorus, which makes the iron hard and brittle. Once the iron had been brought up from the lake bed, it was roasted to remove the moisture and any organic material. When the bellows were operating, the temperature in the furnace reached about 1100°C. The slag ran down and settled out on the bottom of the furnace, while the iron solidified into a lump on top of the slag. Because of the relatively low temperature, the iron had a low carbon content and could be forged straight from the furnace. Most of the phosphorus was carried away in the slag.
Two archeological digs have taken place on the site, one in 1969–70, and the other in 1985. The age of the furnaces, determined by radiocarbon dating (C14), was found to be AD 300-800. An estimate was also made of the amount of iron produced over the centuries, and this turned out to be six or seven tonnes.
As well as the two well-preserved pit furnaces, there are also a charcoal-burning stack and three large slag heaps on the site. Around the furnaces are hollows that were created when clay was dug out for sealing the furnaces. The local heritage association at Västervåla has established a small museum in which the ancient process of producing iron is depicted in words and pictures.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.