Thiene Cathedral replaced a previous church of the Assumption which apparently dated from before 1166. Construction was completed by 1314. It was rebuilt in 1625, and was substantially altered in the late 18th century by architect Ottone Calderari. The dome was not added till the 1930s. The nave ceiling is decorated with 15 paintings by Baroque Venetian painters, including Giulio Carpioni and Giovanni Battista Pittoni.
Next to the church is the tall obelisk-like bell tower, designed by Sebastiano Serlio, beyond which is the Church of the Rosary built in 1685 in a staid Baroque style. This church contains stucco and painted decorations by the local artists Ballante (1657-1729) and Valentino Bassi (17th century). The main altarpiece was painted in 1590 by Matteo Grazioli. The painting of the Annunciation in the north aisle was painted by the school of Alessandro Maganza (1509-1589). There are some ancient frescos, restored in the 1700s, of the 'Madonna delle Grazie' and a marble statue of Saint Joseph by Orazio Marinali.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.