The castle of Aymavilles is certainly the most characteristic and recognizable element of the Aymavilles for its position and architecture characterized by the four cylindrical towers crowned by 'murder holes' that enclose a central body with a square base.
The building, the origins of which date back to 12th century, was repeatedly reconfigured, changed its use from defensive to that of elegant lordly residence inside a great park.
The first record of the fiefdom and the castle date back to 1278, when it was simple a four-sided tower surrounded by a wall, according to the widespread type of the oldest Valdostan castles. Today, the large surrounding walls of the 13th century tower still exist, characterized by being strongly banked, along with a spinal wall divides it into sections at full height.
In 1357, Aimone de Challant became subject to fiefdom three years before the fiefdom of Aymavilles by Amedeo VI of Savoy, allowing it to operate as the defensive reinforcement of the facility, probably considered too vulnerable particularly the level approach on the surrounding land. The four corner towers were thus made: these have circular bases and are unequal in diameter, height and type of crenellations; 'murder holes' and arrow loops were also built, in addition to a double wall with a moat and draw bridge.
At the beginning of 18th century, the external fortifications were demolished and the land was arranged in terraces and gardens, changing the designated use of the building.
After many changes in ownership, the castle was purchased in 1970 by the Regional Administration, which has undertaken major restructuring in these past years.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.