Fénis Castle is one of the most famous castles in Aosta Valley, and for its architecture and its many towers and battlemented walls has become one of the major tourist attractions of the region.
The castle first appears in a document in 1242 as a property of the Viscounts of Aosta, the Challant family. At that time it probably was a simple keep surrounded by walls. From 1320 to 1420, under the lordship of Aymon of Challant and of his son Boniface I of Challant, the castle was expanded to the actual appearance.
Under Aymon's lordship the castle got its pentagonal layout, the external boundary wall and many of the towers. In 1392 Boniface of Challant began a second building campaign to build the staircase and the balconies in the inner courtyard and the prison. He also commissioned Piedmontese painter Giacomo Jaquerio to paint frescoes on the chapel and on the inner courtyard. Under Boniface I the castle reached its greatest splendor: it was a rich court surrounded by a vegetable plot, a vineyard and a garden where the lord and his guests could relax.
The castle belonged to the lords of Challant until 1716, when Georges-François of Challant had to sell it to Count Baldassarre Castellar of Saluzzo Paesana in order to pay his debts, and for the castle was the beginning of a period of decline. It was turned into a rural dwelling and became a stable and a barn.
In 1895 architect Alfredo d'Andrade purchased it and started a restoration campaign to secure the damaged structures. In 1935 a second campaign by De Vecchi and Mesturino completed the restoration and gave the castle the current appearance. The rooms were also provided with wood period furniture.
The castle is today owned by the Autonomous Region Aosta Valley, which turned it into a museum.
The keep has a pentagonal layout, with towers at the corners. It is surrounded by a double boundary wall with battlements and by a series of watchtowers linked by a walkway.
Despite its impressive defensive structure, the castle is situated at the top of a small knoll and not of a promontory or another inaccessible and easily defensible place. In fact it was not built for military purposes, but to serve as a prestigious residence for the Challant family.
The inner courtyard, at the centre of the keep, shows a semi-circular stone staircase and wood balconies. At the top of the staicase a 15th-century fresco features Saint Georgekilling the dragon, while the walls of the balconies are decorated with images of sages and prophets and proverbs in old French. The frescoes are attributed to a painter from the school of Jaquerio.
The interior of the castle is divided into three floors: on the ground floor it is possible to visit the weaponry, the kitchen, the woodshed and the storage tank to collect rainwater. On the first floor there were the rooms of the lords of the castle, the chapel with frescoes by Giacomo Jaquerio and his school and the court. The second floor, in the attic, was dedicated to the servant's quarter and is not visitable.References:
Easter Aquhorthies stone circle, located near Inverurie, is one of the best-preserved examples of a recumbent stone circle, and one of the few that still have their full complement of stones. It consists of a ring of nine stones, eight of which are grey granite and one red jasper. Two more grey granite stones flank a recumbent of red granite flecked with crystals and lines of quartz. The circle is particularly notable for its builders' use of polychromy in the stones, with the reddish ones situated on the SSW side and the grey ones opposite.
The placename Aquhorthies derives from a Scottish Gaelic word meaning 'field of prayer', and may indicate a 'long continuity of sanctity' between the Stone or Bronze Age circle builders and their much later Gaelic successors millennia later. The circle's surroundings were landscaped in the late 19th century, and it sits within a small fenced and walled enclosure. A stone dyke, known as a roundel, was built around the circle some time between 1847 and 1866–7.