Standing on a marked, rocky promontory, Ussel castle overlooks the south side of the residential area of Châtillon. Built by Ebalo II of Challant in the mid-14th century, the castle marks a change in Valdostan fortress architecture. Indeed, it is the first single body castle in Val d’Aosta, which was the last evolutionary phase of medieval castles, and marked the passage between the contemporary castle in Fénis and the rigid forms in Verrès. Having passed on numerous occasions from the Challants to the Savoys and vice versa, the castle then became a prison, until it was abandoned completely. Having bought the castle from the Passerin d’Entrèves family, heirs to the Challants, in 1983 Baron Marcel Bich donated it to the regional authority, which restored it and earmarked it as an exhibition centre.
With a large, rectangular layout, the castle is an example of good masonry that culminates in blind arcades, not present on the north side, and beautiful mullioned windows each different from the next, with floral and geometric decorations. The corners on the south side (facing the mountain) have two round towers, which were originally connected via a walkway, protected by battlements. The south side also has an entrance with an overhead machicolation. The north side, which faces Châtillon, has two four-sided towers, with a slightly projecting watchtower in between, a symbolic element of feudal power.
The monumental fireplaces remain, with large shelves placed on the same ascending line, exploiting a single flue, and traces of the stairs and floor divisions.Before restoration work began, the manor was mostly in ruins; however a precise archaeological assessment enabled identification and reintegration of the missing parts. A picturesque walkway was added along the battlement, where visitors can admire the Châtillon plain and its historic buildings.
The castle host exhibitions and it’s open only when exhibitions take place in it.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.