Schloss Nordkirchen was largely built between 1703 and 1734 and is known as the 'Versailles of Westphalia' since it is the largest of the fully or partly moated Wasserschlösser in that region. It was originally one of the residences of the Prince-Bishopric of Münster.
In the 18th century, the structure visible today was raised in several building campaigns for Friedrich Christian von Plettenberg zu Lenhausen and his successor. In 1959, the schloss was purchased by the State of Nordrhein-Westfalen.
Parts of the interior of the palace are open to the public, as are the parterres and the surrounding park. Inside, an up-market restaurant offering Westphalian cuisine looks out into the large formal garden that faces the northern façade. The chapel may be rented for weddings.
The schloss stands on a rectangular island surrounded by a broad moat-like canal. The island’s four corners are accentuated by four small free-standing pavilions.
The garden front gives onto a landscaped park of some 170 hectares, reached through a formal parterre of scrolling broderie on axis, flanked by expanses of lawn. The gardens and the surrounded woods are peopled with a multitude of lifesize marble statues, of which the first deliveries were made in 1721 by the Munich sculptor Johann Wilhelm Gröninger. Other sculptures were delivered by Panhoff and Charles Manskirch. Further sculptures were added during the restoration in neo-Baroque style, undertaken in 1903-07.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.