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Aptera was an ancient city, now an archaeological site in western Crete, a kilometre inland from the southern shore of Souda Bay. It is mentioned tablets from the 14th-13th centuries BC. With its highly fortunate geographical situation, the city-state was powerful from Minoan through Hellenistictimes, when it gradually declined.
In Greek mythology, here was placed the scene of the legend of the contest between the Sirens and the Muses, when after the victory of the latter, the Sirens lost the feathers of their wings from their shoulders, and having thus become white, cast themselves into the sea, whence the name of the city Aptera (literally meaning 'without wings'), and of the neighbouring islands Leucae (meaning 'white'). It was at one time in alliance with Cnossus, but was afterwards compelled by the Polyrrhenians to side with them against that city. The port of Aptera according to Strabo was Cisamos.
In the third century BCE Aptera was at war with Kydonia, a prominent ancient city on northwestern Crete. In much of the Greek Archaic Period, Aptera was under the control of Kydonia.
It was destroyed by earthquake during the 7th century. By the 12th century, a monastery of St. John Theologos had been built on the site; it continued in operation until 1964.
There are several structures within the square monastery enclosure, including a chapel and a two-story block of monks' cells. The surrounding site is notable for a two-part temple from the 5th century BC, a large three-vaulted Roman cistern, Roman baths, and parts of several Doric temples. An ancient theater and a Roman peristyle villa have also been discovered on the site.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.