Frangokastello castle was built by the Venetians in 1371-74 as a garrison to impose order on the rebellious Sfakia region, to deter pirates, and to protect Venetian nobles and their properties. The Venetians named it the Castle of St. Nikitas after the nearby church. The locals, however, who never saw it in a positive light, contemptuously dubbed it Frangokastello, meaning the Castle of the Franks (i.e. Catholic foreigners), Castelfranco or Franco Castello.
The name eventually stuck and was adopted by the Venetians as well. According to local lore, when soldiers and builders arrived on the fertile plain to begin construction of the castle, the local Sfakians, led by six Patsos brothers from the nearby settlement of Patsianos, would destroy every night what the Venetians built during the day. Eventually, the Venetians were forced to bring in additional troops and the Patsos brothers were betrayed, arrested and hanged.
The castle has a simple rectangular shape, with a tower at each corner and the remains of a Venetian coat of arms above the main gate. The buildings within the walls, as well as the battlements, were constructed during the Ottoman Turkish occupation.
In 1770, the Cretan rebel Ioannis Vlachos, otherwise known as Daskalogiannis, was captured at Frangokastello by Turkish forces. He was later tortured and executed at Heraklion.
On 17 May 1828 a celebrated battle was fought at Frangokastello. Hundreds of Sfakiots and Epirotes led by Hatzimichalis Dalianis, a Greek patriot from Epirus attempting to spread the Greek War of Independence from the mainland to Crete, occupied the castle, but were besieged by the Turks and massacred. However, many of the Turks were then themselves killed by rebel ambushes launched from the local gorges. According to tradition, around the anniversary of the battle each May, shadows of the armed Cretan and Epirote soldiers who lost their lives there seem to march towards the fortress around dawn.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.