Aptera was an ancient city, now an archaeological site in western Crete, a kilometre inland from the southern shore of Souda Bay. It is mentioned tablets from the 14th-13th centuries BC. With its highly fortunate geographical situation, the city-state was powerful from Minoan through Hellenistictimes, when it gradually declined.
In Greek mythology, here was placed the scene of the legend of the contest between the Sirens and the Muses, when after the victory of the latter, the Sirens lost the feathers of their wings from their shoulders, and having thus become white, cast themselves into the sea, whence the name of the city Aptera (literally meaning 'without wings'), and of the neighbouring islands Leucae (meaning 'white'). It was at one time in alliance with Cnossus, but was afterwards compelled by the Polyrrhenians to side with them against that city. The port of Aptera according to Strabo was Cisamos.
In the third century BCE Aptera was at war with Kydonia, a prominent ancient city on northwestern Crete. In much of the Greek Archaic Period, Aptera was under the control of Kydonia.
It was destroyed by earthquake during the 7th century. By the 12th century, a monastery of St. John Theologos had been built on the site; it continued in operation until 1964.
There are several structures within the square monastery enclosure, including a chapel and a two-story block of monks' cells. The surrounding site is notable for a two-part temple from the 5th century BC, a large three-vaulted Roman cistern, Roman baths, and parts of several Doric temples. An ancient theater and a Roman peristyle villa have also been discovered on the site.References:
The Trinity Lavra of St. Sergius is a world famous spiritual centre of the Russian Orthodox Church and a popular site of pilgrimage and tourism. It is the most important working Russian monastery and a residence of the Patriarch. This religious and military complex represents an epitome of the growth of Russian architecture and contains some of that architecture’s finest expressions. It exerted a profound influence on architecture in Russia and other parts of Eastern Europe.
The Trinity Lavra of St. Sergius, was founded in 1337 by the monk Sergius of Radonezh. Sergius achieved great prestige as the spiritual adviser of Dmitri Donskoi, Great Prince of Moscow, who received his blessing to the battle of Kulikov of 1380. The monastery started as a little wooden church on Makovets Hill, and then developed and grew stronger through the ages.
Over the centuries a unique ensemble of more than 50 buildings and constructions of different dates were established. The whole complex was erected according to the architectural concept of the main church, the Trinity Cathedral (1422), where the relics of St. Sergius may be seen.
In 1476 Pskovian masters built a brick belfry east of the cathedral dedicated to the Descent of the Holy Spirit on the Apostles. The church combines unique features of early Muscovite and Pskovian architecture. A remarkable feature of this church is a bell tower under its dome without internal interconnection between the belfry and the cathedral itself.
The Cathedral of the Assumption, echoing the Cathedral of the Assumption in the Moscow Kremlin, was erected between 1559 and 1585. The frescoes of the Assumption Cathedral were painted in 1684. At the north-western corner of the Cathedral, on the site of the western porch, in 1780 a vault containing burials of Tsar Boris Godunov and his family was built.
In the 16th century the monastery was surrounded by 6 meters high and 3,5 meters thick defensive walls, which proved their worth during the 16-month siege by Polish-Lithuanian invaders during the Time of Trouble. They were later strengthened and expanded.
After the Upheaval of the 17th century a large-scale building programme was launched. At this time new buildings were erected in the north-western part of the monastery, including infirmaries topped with a tented church dedicated to Saints Zosima and Sawatiy of Solovki (1635-1637). Few such churches are still preserved, so this tented church with a unique tiled roof is an important contribution to the Lavra.
In the late 17th century a number of new buildings in Naryshkin (Moscow) Baroque style were added to the monastery.
Following a devastating fire in 1746, when most of the wooden buildings and structures were destroyed, a major reconstruction campaign was launched, during which the appearance of many of the buildings was changed to a more monumental style. At this time one of the tallest Russian belfries (88 meters high) was built.
In the late 18th century, when many church lands were secularized, the chaotic planning of the settlements and suburbs around the monastery was replaced by a regular layout of the streets and quarters. The town of Sergiev Posad was surrounded by traditional ramparts and walls. In the vicinity of the monastery a number of buildings belonging to it were erected: a stable yard, hotels, a hospice, a poorhouse, as well as guest and merchant houses. Major highways leading to the monastery were straightened and marked by establishing entry squares, the overall urban development being oriented towards the centrepiece - the Ensemble of the Trinity Sergius Lavra.
In 1993, the Trinity Lavra was inscribed on the UNESCO World Heritage List.