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Aptera was an ancient city, now an archaeological site in western Crete, a kilometre inland from the southern shore of Souda Bay. It is mentioned tablets from the 14th-13th centuries BC. With its highly fortunate geographical situation, the city-state was powerful from Minoan through Hellenistictimes, when it gradually declined.
In Greek mythology, here was placed the scene of the legend of the contest between the Sirens and the Muses, when after the victory of the latter, the Sirens lost the feathers of their wings from their shoulders, and having thus become white, cast themselves into the sea, whence the name of the city Aptera (literally meaning 'without wings'), and of the neighbouring islands Leucae (meaning 'white'). It was at one time in alliance with Cnossus, but was afterwards compelled by the Polyrrhenians to side with them against that city. The port of Aptera according to Strabo was Cisamos.
In the third century BCE Aptera was at war with Kydonia, a prominent ancient city on northwestern Crete. In much of the Greek Archaic Period, Aptera was under the control of Kydonia.
It was destroyed by earthquake during the 7th century. By the 12th century, a monastery of St. John Theologos had been built on the site; it continued in operation until 1964.
There are several structures within the square monastery enclosure, including a chapel and a two-story block of monks' cells. The surrounding site is notable for a two-part temple from the 5th century BC, a large three-vaulted Roman cistern, Roman baths, and parts of several Doric temples. An ancient theater and a Roman peristyle villa have also been discovered on the site.
References:Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.