The Late Minoan town of Gournia was excavated by Harriet Boyd in the first years of the 20th century. The original name of the settlement is not known and its present name comes from the hollow vessels found all over the site, many of which can still be seen at the entrances to the rooms. Gournia lies on a small hill, a few hundred metres from the sea in the Gulf of Mirabello. Its position is important as it lies on the east to west route along the north coast of Crete.
From pottery finds it is known that groups of neolithic people were settled in the area around Gournia in the period up to 3000 BCE. The next evidence we have for settlement in the area dates to 2500 BCE in the Early Minoan period.
Around 1700 BCE parts of the top of the town were levelled off and a new stage of building began, giving us the town as we see it today. A palace is built for the first time, and this represents a major change in the way society in the Gournia area is organised. As happened previously in other parts of Crete when a palace was built, the surrounding villages were abandoned as the population was presumably incorporated into the new town.
Possessing some 50 well-preserved houses, a system of cobbled streets, a central court, a Minoan palace, and cemetery, Gournia gives today the visitor the best picture of what a Late Bronze Age (1500 BC) town looked like. Gournia was a regional production center of bronze tools and weapons, domestic objects, and pottery and stone vases, an active trade emporium with overseas connections to other parts of the Aegean and the Near East, and the palatial administrative center for the Mirabello region. Its harbor complex consists of a monumental shipshed, fortification walls with towers, a riverside dam, and a cobbled street running from the coast to Town.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.