The medieval church of Notre-Dame du Puy in Grasse was raised to cathedral status in 1244, when the bishop transferred from Antibes to Grasse.
Its Provençal Romanesque style has been well preserved throughout the centuries. In the 17th century, an exterior staircase was built, while a chapel dedicated to the Saint Sacrament was added in 1740, in a beautiful Baroque style.
The cathedral’s strict, basic style, structure, vaults, and discreet décor reflect Lombardian and Ligurian influences. It shelters works by such masters as Rubens, Charles Nègre, a beautiful triptych by Louis Bréa, and the only religious painting by Jean-Honoré Fragonard, Le Lavement des Pieds.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.