Opened in 1894, the Basel Historical Museum is one of the largest and most important museums of its kind in Switzerland. The museum is divided into four sections (buildings), three of which are within the city of Basel. These are Barfüsserkirche, Haus zum Kirschgarten and the Musikmuseum. The fourth section, the Coach and Carriage Museum lies slightly outside Basel, in the neighbouring town of Münchenstein.
The main part of the museum is located in the Barfüsserkirche in the centre of Basel. The museum houses the Upper Rhine’s most comprehensive cultural history collection and the display area covers 6,200 square meters. The exhibition presents objects documenting handicraft traditions and everyday culture from ages past. Its focus is on the late Middle Ages and the Renaissance up to the Baroque period.
Leading highlights include: the Basel Cathedral treasure, the Basel and Strasbourg tapestries, the fragments of Basel’s dance of death, altars and ecclesiastical graphic works, the estate of Erasmus of Rotterdam, the coin cabinet and glass painting. The museum also preserves old cabinets of curiosities which have been bequeathed, as Amerbach cabinet and Faesch cabinet, which works great collectors Basel sixteenth and seventeenth century.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.