The ruins of Frohberg castle is on a rocky ridge at the upper end of the Klus valley on the way to the old Platten pass road. The stronghold at Frohberg was first mentioned in 1292 when Conrad I Schaler 'de Vroberg' was mentioned. It is likely that the castle was built by the Schaler family in the second half of the 13th Century. Although the castle dominated the way across the Platten pass (between Birseck and Laufental), the location of other castles in the immediate vicinity, suggests that the motivation for the castle was not the collection of tolls, but power games between the families of the Schaler and Münch.
The castle was perhaps never quite finished or it castle was damaged during the Basel earthquake of 1356 and was not repaired. In any case, in the 14th Century, the remains were given as a bishop's fief to the counts of Thierstein-Pfeffingen. This fief was not so much about the ruins, which needed costly repairs, but the assets related to the castle including tax collection and court rights.
The ruins are widely scattered and consists of an extended main castle, surrounded by different approach obstacles. So far, the ruins have not yet been investigated archaeologically and so only rough interpretations are possible. The main castle was formed by a housing tract and a curtain wall. The wall follows the irregularly extending ledge. The massive living area consists of two parts and a smaller west building with irregular floor plan as a residential tower. The thick walls were up to 3 meters thick and built from rough cut stone. To the east, adjoining the living area, is an elongated building that served as an administrative and residential building. On the northwest and northeast sides the remains of outlying estates are visible.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.