The ruins of Frohberg castle is on a rocky ridge at the upper end of the Klus valley on the way to the old Platten pass road. The stronghold at Frohberg was first mentioned in 1292 when Conrad I Schaler 'de Vroberg' was mentioned. It is likely that the castle was built by the Schaler family in the second half of the 13th Century. Although the castle dominated the way across the Platten pass (between Birseck and Laufental), the location of other castles in the immediate vicinity, suggests that the motivation for the castle was not the collection of tolls, but power games between the families of the Schaler and Münch.
The castle was perhaps never quite finished or it castle was damaged during the Basel earthquake of 1356 and was not repaired. In any case, in the 14th Century, the remains were given as a bishop's fief to the counts of Thierstein-Pfeffingen. This fief was not so much about the ruins, which needed costly repairs, but the assets related to the castle including tax collection and court rights.
The ruins are widely scattered and consists of an extended main castle, surrounded by different approach obstacles. So far, the ruins have not yet been investigated archaeologically and so only rough interpretations are possible. The main castle was formed by a housing tract and a curtain wall. The wall follows the irregularly extending ledge. The massive living area consists of two parts and a smaller west building with irregular floor plan as a residential tower. The thick walls were up to 3 meters thick and built from rough cut stone. To the east, adjoining the living area, is an elongated building that served as an administrative and residential building. On the northwest and northeast sides the remains of outlying estates are visible.References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.