French monks of the influential Cistercian order founded Alvastra Monastery in 1143. From Clairvaux in France, the monks brought modern methods of administration, technology and architecture to the province of Östergötland in Sweden. Alvastra Monastery is a distinct part of Östergötland's cultural landscape, and is open for visitors to follow the monks' medieval trail.
The district around Alvastra played an important role in the development of the Swedish Kingdom during the Middle Ages. The powerful dynasty of Sverker resided here. In fact, Sverker the Older has been described as the king of Sweden's East Geats as well as the ruler of the Swedes. It appears as if the Sverker dynasty brought about the establishment of the Alvastra Monastery and gave the original donation of land to the Cistercian monks.
The church is the heart of the vast monastery establishment. The western section and the southern transept gable with its sacristy are well preserved. The building material is limestone from Omberg, and its architecture is simple, in accordance with the order's decree against extravagancies. French masters, with the assistance of people from nearby, erected the structure. The local inhabitants adopted the new techniques, in particular stone-masonry, which was used in building parish churches.
Alvastra was Sweden's largest monastery in its heyday, and it flourished for nearly 400 years. But along with the reformation it was dissolved and the Crown retracted the monastery's land possessions. The Alvastra property was made into the Alvastra royal estate. The construction materials interested several building proprietors and were used in the making of Vadstena Castle and Per Brahe's buildings along Lake Vättern.
The ruins have been restored and preserved in several phases. An interdisciplinary research project was initiated during the summer of 1992, which investigated the monastery's role in the development of medieval statehood.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.