French monks of the influential Cistercian order founded Alvastra Monastery in 1143. From Clairvaux in France, the monks brought modern methods of administration, technology and architecture to the province of Östergötland in Sweden. Alvastra Monastery is a distinct part of Östergötland's cultural landscape, and is open for visitors to follow the monks' medieval trail.
The district around Alvastra played an important role in the development of the Swedish Kingdom during the Middle Ages. The powerful dynasty of Sverker resided here. In fact, Sverker the Older has been described as the king of Sweden's East Geats as well as the ruler of the Swedes. It appears as if the Sverker dynasty brought about the establishment of the Alvastra Monastery and gave the original donation of land to the Cistercian monks.
The church is the heart of the vast monastery establishment. The western section and the southern transept gable with its sacristy are well preserved. The building material is limestone from Omberg, and its architecture is simple, in accordance with the order's decree against extravagancies. French masters, with the assistance of people from nearby, erected the structure. The local inhabitants adopted the new techniques, in particular stone-masonry, which was used in building parish churches.
Alvastra was Sweden's largest monastery in its heyday, and it flourished for nearly 400 years. But along with the reformation it was dissolved and the Crown retracted the monastery's land possessions. The Alvastra property was made into the Alvastra royal estate. The construction materials interested several building proprietors and were used in the making of Vadstena Castle and Per Brahe's buildings along Lake Vättern.
The ruins have been restored and preserved in several phases. An interdisciplinary research project was initiated during the summer of 1992, which investigated the monastery's role in the development of medieval statehood.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.