Beginning in 982 the Sargans region was part of the lands of the Counts of Bregenz. In 1160, the male line of the Counts of Bregenz died out. Count palatine Hugo of Türbingen inherited most of their lands, through his wife Elisabeth. His son, Hugo, inherited the Bregenz lands around Lake Constance, including Sargans. This Hugo, who adopted the name Montfort und Werdenberg built or expanded Sargans Castle before his death in 1228. Excavations around the oldest part of the castle show that there was an earlier fort or castle, but nothing is known about that building. Hugo built the large bergfried, expanded the walls to the west and may have built a palas on that side of the castle.
In the mid-13th century the Montfort und Werdenberg lands were divided between Hugo of Werdenberg-Heiligenberg and his brother Hartmann of Werdenberg-Sargans. Hartmann took up residence in the castle and probably expanded the palas. The castle was first mentioned in 1282. Over the following century the wealth and lands of the Counts of Werdenberg-Sargans were divided over and over again between descendants. By the last 14th century, Count Johann I ruled over a small and poor county under the Habsburgs. In the Battle of Näfels in 1388, the count commanded a wing of the Austrian army that was supposed to cross the Kerenzerberg Pass. However, when he saw the threatened destruction of the main Austrian army, he fled back over the pass. The cost of the war, as well as other expenses forced Johann I to sell the castle and village to Leopold of Austria.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.