Beginning in 982 the Sargans region was part of the lands of the Counts of Bregenz. In 1160, the male line of the Counts of Bregenz died out. Count palatine Hugo of Türbingen inherited most of their lands, through his wife Elisabeth. His son, Hugo, inherited the Bregenz lands around Lake Constance, including Sargans. This Hugo, who adopted the name Montfort und Werdenberg built or expanded Sargans Castle before his death in 1228. Excavations around the oldest part of the castle show that there was an earlier fort or castle, but nothing is known about that building. Hugo built the large bergfried, expanded the walls to the west and may have built a palas on that side of the castle.
In the mid-13th century the Montfort und Werdenberg lands were divided between Hugo of Werdenberg-Heiligenberg and his brother Hartmann of Werdenberg-Sargans. Hartmann took up residence in the castle and probably expanded the palas. The castle was first mentioned in 1282. Over the following century the wealth and lands of the Counts of Werdenberg-Sargans were divided over and over again between descendants. By the last 14th century, Count Johann I ruled over a small and poor county under the Habsburgs. In the Battle of Näfels in 1388, the count commanded a wing of the Austrian army that was supposed to cross the Kerenzerberg Pass. However, when he saw the threatened destruction of the main Austrian army, he fled back over the pass. The cost of the war, as well as other expenses forced Johann I to sell the castle and village to Leopold of Austria.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.