Vaduz Castle is the palace and official residence of the Prince of Liechtenstein. The castle gave its name to the town of Vaduz, the capital of Liechtenstein, which it overlooks from an adjacent hilltop. The erstwhile owners - presumably also the builders - were the Counts of Werdenberg-Sargans. The Bergfried (keep, 12th century) and parts of the eastern side are the oldest. The tower stands on a piece of ground some 12 x 13 metres and has a wall thickness on the ground floor of up to 4 m. The original entrance lay at the courtyard side at a height of 11 metres. The chapel of St. Anna was presumably built in the Middle Ages as well. The main altar is late-Gothic. In the Swabian War of 1499, the castle was burned by the Swiss Confederacy. The western side was expanded by Count Kaspar von Hohenems (1613–1640).
The Princely Family of Liechtenstein acquired Vaduz Castle in 1712 when it purchased the countship of Vaduz. At this time, Charles VI, Holy Roman Emperor, combined the countship with the Lordship of Schellenberg, purchased by the Liechtensteins in 1699, to form the present Principality of Liechtenstein. During the medieval days of the principality, the prince could have sought refuge in the castle from a potential peasant uprising.
The castle underwent a major restoration between 1905 and 1920, then again in the early 1920s during the reign of Prince Johann II, and was expanded during the early 1930s by Prince Franz Joseph II. Since 1938, the castle has been the primary residence of Liechtenstein's Princely Family. The castle is not open to the public as the princely family still lives in the castle.References:
The Temple of Portunus or Temple of Fortuna Virilis ('manly fortune') is one of the best preserved of all Roman temples. Its dedication remains unclear, as ancient sources mention several temples in this area of Rome, without saying enough to make it clear which this is.
The temple was originally built in the third or fourth century BC but was rebuilt between 120-80 BC, the rectangular building consists of a tetrastyle portico and cella, raised on a high podium reached by a flight of steps, which it retains.
The temple owes its state of preservation to its being converted for use as a church in 872 and rededicated to Santa Maria Egyziaca (Saint Mary of Egypt). Its Ionic order has been much admired, drawn and engraved and copied since the 16th century. The original coating of stucco over its tufa and travertine construction has been lost.