Gutenberg Castle is one of the five castles of the Liechtenstein principality and one of two that have survived preserved until the present day. The castle hill has been inhabited since the Neolithic Period. Archeological digs have uncovered several prehistoric artefacts, including the 12cm Mars von Gutenberg figurine, now on display in the Liechtenstein National Museum.
Gutenberg Castle began its existence as a medieval church and cemetery on a hilltop. In the early 12th century, the cemetery was cancelled and the fortification of the former church structure had slowly began with the addition of a ring wall, forming a simple, roughly circular keep. During the 12th century, several additions followed, in particular the creation of the main tower as a vertical extension of the existing keep. Later on, the tower was outfited with merlons. The first written record of the castle's name comes from 1296. In the 12th and early 13th century, the castle was in the ownership of the lords of Frauenberg, a noble house from the Swiss canton of Graubünden. After the death of Heinrich von Frauenburg in 1314, the castle became the property of the House of Habsburg. It was then used primarily for guarding the borderlands between the local Habsburg-owned territories and the ones belonging to the independent Swiss cantons.
At the turn of the 15th century, the castle underwent extensive new construction works as part of an initiative by Holy Roman Emperor Maximilian I to repair the damage inflicted upon the castle by a siege in 1499, during the Swabian War. Gutenberg Castle possessed a drawbridge until 1537, when the device was damaged by storm and had to be dismantled, never gaining a replacement. During the 17th and 18th century, the castle lost most of its military purpose and was damaged by several fires. It was still being used as a residence around 1750. After a fire in 1795 that greatly damaged Balzers, the castle ruins were used as a source of building material for the reconstruction of the town. The castle was purchased and slightly repaired by the town in 1824, then sold in 1854 to princess Franziska von Liechtenstein.
The castle received a substantial restoration between 1905 and 1912, under the supervision of Vaduz-born architect Egon Rheinberger, its new owner. This restoration added a few new structures and buildings to the lower parts of the castle (see ground plan in references section for more details). After Rheinberger's death in 1936, the castle was rented by the municipality for various events and guests, until it was offered for sale in 1951. In 1979, the castle was purchased by the Principality of Liechtenstein for state and museum purposes. However, the last of the former private owners held her inherited rights to the habitation of the castle until her death in 2001.
The bailey of the castle is open to visitors free of charge all year round. The castle's chapel and rose garden, reconstructed in 2010, are accessible free of charge in the summer tourist season. Guided tours of Gutenberg Castle and its renting for weddings and cultural events are available only during the summer tourist season and need to be arranged in advance by appointment.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.