Liechtenstein National Museum

Vaduz, Liechtenstein

Liechtenstein National Museum building dated back to 1438. It used to house the princely tavern, custom house and the seat of the government. A work was carried out in 1998-2008 to renovate the building and it was extended towards the mountain slope. The museum displays artifacts about the history, culture and landscape of Liechtenstein in its three buildings and 42 exhibit rooms.



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Category: Museums in Liechtenstein


4.6/5 (based on Google user reviews)

User Reviews

N K (3 months ago)
It was a small yet a good museum. The staffs were very helpful. The Liechtenstein adventure pass was accepted, still it’s needed to show them at the counters.
Anthony Manmohan (4 months ago)
Enjoyable walk round on 2 sides. Has self-service cafè including outdoor seating and toilet facilities.
Diana N. (8 months ago)
A lovely discovery: not too large but not too small, enough to fill our 2hrs in a very enjoyable way if you find yourself in Vaduz. This may be an one off opportunity to pet a wolf :D Make sure you check out the temporary exhibition about Pompeii - informative, lively and very interesting. There's also a charming self-service cafeteria with unbeatable prices.
Christopher Schulz (8 months ago)
I recently visited their permanent exhibit and Pompeji special show. I spent less than 1 hour in the Museum on Sunday shortly before closing and was treated very courteous and professional by a very friendly staff. I got to interact with staff members who made all the difference through their friendliness. I learnt a lot about the history of Liechtenstein and was impressed by the quality of artifacts on display. I specially like the interaction of artsy objects with historical trivia of all sorts. Not a boring museum at all, and 1 hour was definitely not enough to see it all. The staff was so friendly and apologetic of having to throw me out of museum at closing time that they offered me a courtesy ticket for the following Sunday. Which I refused to accept. The museum visit was in itself worth the while and I will be happy to visit again sometime. I highly recommend the self service walk-in coffee shop. Great pastries, great coffee, great ambience. The museum shop has lots of stuff for every taste...even Pasta Made in Liechtenstein. Great Museum. Great Staff. GREAT OVERALL experience. Keep it up.
Peter Hricko (9 months ago)
We have been there already many Times and always love it! Great personal.
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The Church of St Eustace was built between 1532-1632. St Eustace"s is considered a masterpiece of late Gothic architecture. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also chose the sanctuary as the location for his mother’s funeral. Among those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here in the 17th century. The last rites for Anne of Austria, Turenne and Mirabeau were pronounced within its walls. Marie de Gournay is buried there.

The origins of Saint Eustache date back to 13th century. The church became a parish church in 1223, thanks to a man named Jean Alais who achieved this by taxing the baskets of fish sold nearby, as granted by King Philip Augustus. To thank such divine generosity, Alais constructed a chapel dedicated to Sainte-Agnès, a Roman martyr. The construction of the current church began in 1532, the work not being finally completed until 1637. The name of the church refers to Saint Eustace, a Roman general of the second century AD who was burned, along with his family, for converting to Christianity, and it is believed that it was the transfer of a relic of Saint Eustache from the Abbey to Saint-Denis to the Church of Saint Eustache which resulted in its naming. Jeanne Baptiste d"Albert de Luynes was baptised here.

According to tourist literature on-site, during the French Revolution the church, like most churches in Paris, was desecrated, looted, and used for a time as a barn. The church was restored after the Revolution had run its course and remains in use today. Several impressive paintings by Rubens remain in the church today. Each summer, organ concerts commemorate the premieres of Berlioz’s Te Deum and Liszt’s Christus here in 1886.

The church is an example of a Gothic structure clothed in Renaissance detail. The church is relatively short in length at 105m, but its interior is 33.45m high to the vaulting. At the main façade, the left tower has been completed in Renaissance style, while the right tower remains a stump. The front and rear aspects provide a remarkable contrast between the comparatively sober classical front and the exuberant rear, which integrates Gothic forms and organization with Classical details. The L"écoute sculpture by Henri de Miller appears outside the church, to the south. A Keith Haring sculpture stands in a chapel of the church.

The Chapel of the Virgin was built in 1640 and restored from 1801 to 1804. It was inaugurated by Pius VII on the 22nd of December, 1804 when he came to Paris for the coronation of Napoleon. The apse chapel, with a ribbed cul-de-four vault, has at its centre a sculpture of the Virgin and Child of Jean-Baptiste Pigalle that the painter Thomas Couture highlighted by three large paintings.

With 8,000 pipes, the organ is reputed to be the largest pipe organ in France, surpassing the organs of Saint Sulpice and Notre Dame de Paris. The organ originally constructed by P.-A. Ducroquet was powerful enough for the premiere of Hector Berlioz" titanic Te Deum to be performed at St-Eustache in 1855.