Schänis Abbey was founded in the 9th century. According to the report of a monk from Reichenau Abbey the founder was believed to be Count Hunfried of Chur-Rhaetia, who was said to have promised Charlemagne to make the foundation for the worthy safekeeping of a precious reliquary cross containing a fragments of the True Cross, as well as an onyx vessel containing some of the Blood of Christ. Such evidence as is available does indicate that the abbey was founded at about that time, possibly as a daughter foundation of St. Stephan's Abbey in Strasbourg, but the foundation at Schänis soon fell into obscurity.
After many years Ulrich I, Count of Lenzburg, restored the abbey to prosperity and a sound economic footing by numerous gifts of property. Also, by exchanges of land and rights of patronage he created a stable and unified ecclesiastical and parochial structure in the foundation's immediate vicinity. It was presumably at this time that the dedication was altered from the 'Holy Cross' to Saint Sebastian.
In 1045 Emperor Henry III granted Schänis Abbey royal immunity and free election of its abbesses. Despite several attempts at reform Schänis remained a free secular canonry with relatively relaxed rules. In the 14th century it lost its estates in Vorarlberg and the Rhine valley.
The Vögte generally came from the greater aristocracy of the region. By inheritance from the Lenzburgs the Vogtei passed first to the counts of Kyburg, then later to the Habsburgs and the Counts of Toggenburg. By the transfer of the lordship of Windegg to the cantons of Glarus and Schwyz in 1438 the abbey passed, as part of the common overlordship of Windegg, to the Old Swiss Confederacy. Although the German Kaiser confirmed the abbey's rights in 1442, the connection to the Holy Roman Empire was broken; Glarus and Schwyz considered themselves from that point onwards as successors to the royal Vögte.
Nevertheless the abbess continued to bear the title of Princess of the Holy Roman Empire. Despite further attempts to reform the abbey's monastic life, there was no compulsion to take vows and only women of the aristocracy were accepted as community members. Applicants were initially obliged to prove descent from four grandparents of the higher aristocracy, but later from 16 great-great-grandparents of the same rank. In this way Schänis became a place of care for the unmarried female offspring of the higher nobility of southern Germany.
During the Reformation the abbey was briefly suspended in 1529, but reinstated in 1531 after the re-Catholicisation of the Linthgebiet. In 1585 and again in 1610 it burnt down, with the destruction of all the ancient deeds and privileges. At the same time there were increasing conflicts with the protecting powers, Glarus and Schwyz, who felt the foundation to be an alien body and treated it accordingly.
In 1782 the community buildings and the church were refurbished in the Rococo style. After the end of the Old Swiss Confederacy in 1798 Schänis Abbey, by the operation of the Act of Mediation of 1803, lost all its feudal rights and was gradually forced to dispose of all possessions outside the canton of St. Gallen. In 1811 the Great Council of the canton dissolved the abbey. The community buildings were sold at auction and the church was taken over for the use of the parish.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.