The palatial Late Antique Roman villa at La Olmeda was built in several stages, beginning in the second quarter of the fourth century and extending in use at least to the end of the fifth. The villa complex centers on the elite quarters of rigorously symmetrical disposition, wherein twenty-seven rooms, twelve with mosaic floors, are disposed around a central patio crossed with mosaic paths in geometric patterns and linked round its perimeter by a wide peristyle. This main building housed the poentior, with its oecus or reception hall, centered in the east wing featuring a particularly resplendently mosaiced floor. Slightly raised semicircular apses mark its northeastern and northwestern end rooms.
The main body of the villa communicated with a baths by a grand passageway. The principal front of the main block faces south, with a porticoed gallery ending in octagonal tower blocks. The residential quarters face north with two rectangular corner towers.
The complex also included working and living quarters of more rustic aspect, kilns for baking roof tiles on the site, three burial grounds, and a section of paved roadway.
Today the site open to the public, while a museum dedicated to the finds is housed in the nearby church of San Pedro de Saldaña.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.